Suchergebnisse

Chapter 1: Border Rules and Oppositional Currents -- Chapter 2: Border Rules: Imperialism, Race, and the Politics of Development -- Chapter 3: Theorizing Borders in the Shadow of Imperial Violence -- Chapter 4: Theorizing Borders in the Shadow of Imperial Violence -- Chapter 5: Documenting the Migrant Journey in Ai Weiwei's Human Flow and Diego Quemada-Díez's La Jaula de Oro -- Chapter 6: Visualizing Borders: M.I.A.'s "Borders" and Mural Art in Cuidad Juárez and El Paso -- Chapter 7: A Borderless World: Abolition Democracy and the Politics of Refusal Abolition and Solidarities Across Borders.

This book examines both border policies and oppositional narratives of "the border," 2011-2021, demonstrating that the term designates not merely a line of territorial control but also a set of social relations shaped by persistent, racially differentiated colonial structures and, more recently, by neoliberal modes of accumulation. These relations are shown to determine access to wealth and/or resources and to enable the management of labor, the extraction of surplus, and the accumulation of capital. Discussion in the book is informed by the history of these policies and by the critical literature on borders. Various cultural texts focusing on two border zones -- the US-Mexico and the EU-Southern Mediterranean -- are analyzed: specifically, two novels, two films, and two murals examined in conjunction with a music video. A path to a borderless future is suggested: an abolitionist refusal of border rules with an insistence on the necessity of abolition. Kanishka Chowdhury is Professor of English and Director of the American Culture and Difference Program at the University of Saint Thomas in Saint Paul, Minnesota, where he teaches courses in cultural studies, transnational literatures, and contemporary film. His most recent book is Human Rights Discourse in the Post-9/11 Age (2019).

This book examines both border policies and oppositional narratives of "the border," 2011-2021, demonstrating that the term designates not merely a line of territorial control but also a set of social relations shaped by persistent, racially differentiated colonial structures and, more recently, by neoliberal modes of accumulation. These relations are shown to determine access to wealth and/or resources and to enable the management of labor, the extraction of surplus, and the accumulation of capital. Discussion in the book is informed by the history of these policies and by the critical literature on borders. Various cultural texts focusing on two border zones--the US-Mexico and the EU-Southern Mediterranean--are analyzed: specifically, two novels, two films, and two murals examined in conjunction with a music video. A path to a borderless future is suggested: an abolitionist refusal of border rules with an insistence on the necessity of abolition

1. Introduction: Reading Rights Discourse in a Transnational Economy -- 2. Historicizing Rights Discourse Post-9/11 -- 3. Workers' Rights, Exploitation, and the Transactional Moment -- 4. Gender Rights and the Politics of Empowerment -- 5. "Tomorrow There Will Be More of Us": Rights Discourse, the State, and Toxic Capitalism in Indra Sinha's Animal's People -- 6. Refugees' Rights: Capital, Óscar Martínez's The Beast, Gianfranco Rosi's Fuocoammare, and the "Problem" of the Surplus Population -- 7. Conclusion

Examining differing images of citizenship and its rules and rituals in these narratives, Chowdhury sheds light on the complex interactions between culture and political economy in the New India. This book looks critically at various constructions of the Indian citizen from 1991 to 2007, the period when economic liberalization became established government policy. Liberalization generated complex social and economic tensions, and Chowdhury reveals how these tensions shaped images of the citizen in cultural narratives of the time - in films, literary texts, corporate advertisements, political do.