Suchergebnisse

"This book examines key aspects of the Asia Pacific War (1931-1945), that was initially waged between Japan and China, before Japan's attack on Pearl Harbor drew in the U.S.-led allied forces from 1941 to 1945. The first half of the book examines three interlocking components, the origins of the war; its impact on combatants and civilians; and its short-term legacy, including the huge changes that took place in the postwar governance of Japan. Part 2 explores the ongoing impact and legacy of the war for those in postwar Japan, and later generations, particularly through the examination of the ambiguity of state-led reconciliation with Japan's neighbors, the growth of dynamic civil reconciliation efforts, and the prominent role of the arts in peace movements. Through a people-centered approach it filters historical events through the lens of the war's impact on individuals, who found themselves players within a larger frame of the social history of Japan and caught up in the international power dynamics of the nuclear age. Featuring studies of contemporary peace activism, this will be a valuable resource to students and scholars of Modern Asian and U.S. History, as well as those interested in post-war memory and reconciliation"--

"This book explores the contemporary legacy of Hiroshima and Nagasaki following the passage of three quarters of a century, and the role of art and activism in maintaining a critical perspective on the dangers of the nuclear age. It closely interrogates the political and cultural shifts that have accompanied the transition to a nuclearized world. Beginning with the contemporary socio-political and cultural interpretations of the impact and legacy of the destruction of Hiroshima and Nagasaki, the chapters examine the challenges posed by committed opponents in the cultural and activist fields to the ongoing development of nuclear weapons and the expanding industrial uses of nuclear power. It explores how the aphorism that 'all art is political' is borne out in the close relation between art and activism. This multi-disciplinary approach to the socio-political and cultural exploration of nuclear energy in relation to Hiroshima/Nagasaki via the arts will be of interest to students and scholars of peace and conflict studies, social political and cultural studies, fine arts, and art and aesthetic studies"--

When we look in detail at the various peripheral groups of disenfranchised people emerging from the aftermath of the Asia-Pacific War the list is startling: Koreans in Japan (migrants or forced labourers), Burakumin, Hibakusha, Okinawans, Asian minorities, comfort women and many others. Many of these groups have been discussed in a large corpus of what we may call 'disenfranchised literature', and the research presented in this book intends to add an additional and particularly controversial example to the long list of the voice- and powerless. The presence of members of what is known as the yakeato sedai or the generation of people who experienced the fire-bombings of the Asia-Pacific War is conspicuous in all areas of contemporary Japan. From literature to the visual arts, from music to theatre, from architecture to politics, their influence and in many cases guiding principles is evident everywhere and in many cases forms the keystone of modern Japanese society and culture. The contributors to this book explore the impact of the yakeato generation - and their literary, creative and cultural and works - on the postwar period by drawing out the importance of the legacy of those people who truly survived the darkest hour of the twentieth century and re-evaluate the ramifications of their experiences in contemporary Japanese society and culture. As such this book will be of huge interest to those studying Japanese history, literature, poetry and cultural studies. /from the publisher's website