Search results

Includes bibliographical notes and index ; Art and Place brings together a series of essays about art in Hong Kong written over the last ten year, with the intention of offering a personal chronicle of the Hong Kong art world during a time of great change. Many of the essays concern themselves with the work of local artists, but Western and Chinese artists whose works have been exhibited in Hong Kong during this period are also discussed. In addition to a consideration of particular artists and works of art, there are also essays which engage with debates that have been taking place in Hong Kong concerning curatorship and various arts policy issues ; published_or_final_version ; Illustrations ; Introduction ; Plates p259 ; Chinese Names p285 ; Index p287 ; Sect. I Art and Its Contexts p1 ; Sect. II Arts Policy Issues p45 ; Sect. III Hong Kong Art p63 ; Sect. IV Western Art in a Hong Kong Frame p149 ; Sect. V Chinese Art: The View From Hong Kong p213 ; 1 Site-Specificity in Recent Art p3 ; 2 Monologues Without Words: Museum Displays as Art Historical Narratives p12 ; 3 Museums, Artists, Audiences p19 ; 4 Private Art in a Public Place p24 ; 5 'In Search of Art': Looking Back With the Future in Mind p28 ; 6 Engaging Tradition p33 ; 7 Photography, Art, Life p37 ; 8 The Culture of Democracy: Looking at Art in Hong Kong p47 ; 9 The Arts Policy Review Report: Some Responses p52 ; 10 Submission to the Legislative Council's Panel on Recreation and Culture Concerning the Proposed Arts Development Council p55 ; 11 Research and the Nurturing of Public Understanding of Art p58 ; 12 Between East and West: Negotiations With Tradition and Modernity in Hong Kong Art p65 ; 13 The Sculpture of Antonio Mak p85 ; 14 The Art of Yank Wong p105 ; 15 The Art of Chan Chi-ling p109 ; 16 A Sense of Place: Chan Chi-ling and Wong Wo-bik in Conversation With David Clarke p114 ; 17 Innocence and Experience: The Art of Mei Lo p120 ; 18 The Insufficiency of Tradition: Paintings by Fang Zhaoling and Chu Hing-wah p126 ; 19 Photography and Social Reproduction p132 ; 20 Revisions p138 ; 21 Zuni Icosahedron in Context p144 ; 22 Grimm's Fairy Tales: A Series of Etchings by David Hockney p151 ; 23 The Blue Guitar p157 ; 24 Drawing From the Unconscious: The Surrealist Art of Max Ernst p169 ; 25 German Graphics of the 1970s p174 ; 26 Aspects of Contemporary Australian Art p178 ; 27 Hot and Cool: The Art of Robert Rauschenberg p183 ; 28 Rodin and the Fragmented Figure p187 ; 29 The Aesthetic of the Sketch p198 ; 30 National Shows at the 1995 Venice Biennale p202 ; 31 Art and the History of the Body: A Review of 'Identity and Alterity', the Keynote Show of the 1995 Venice Biennale p207 ; 32 Li Tiefu and Western Art p215 ; 33 Exile From Tradition: Chinese and Western Traits in the Art of Lin Fengmian p225 ; 34 Reframing Mao: Aspects of Recent Chinese Art, Popular Culture and Politics p236 ; 35 Foreign Bodies: Chinese Art at the 1995 Venice Biennale p250

Three female Asian migrants to the United Kingdom presented with vomiting which was not of organic origin. Cultural, dynamic and other factors influenced the adop tion of vomiting as a manifestation of distress. Non-organic vomiting should be evaluated in terms of its symbolism, gains, and communicatory function for the individual.

AbstractICD‐10 Diagnostic Criteria for Research (DCR) based on the Clinical Descriptions and Diagnostic Guidelines for Mental and Behavioural Disorders were used to assign diagnoses to 38 people with mental retardation (MR) who had additional behavioural or psychiatric disorders. Problems were encountered with criteria for schizophrenia and related disorders. Recommendations were made regarding some diagnostic criteria, the method of coding diagnoses, and the need for additional guidance when classifying disorders associated with MR.Multiaxial classification during the field trial allowed mental and physical health problems and the severity of MR to be summarised in a standard format, assisting record keeping and the communication of information. The DCR represent an advance on previous diagnostic systems, and with additional axes (now being developed for use with a MR fascicle) will be a useful research tool. Psychiatric diagnoses and classificatory systems still suffer from the lack of external validating criteria or specific treatment responses for many disorders within them, and this poses special problems when the person with the disorder has difficulties with communication.

We thank the "RNA Initiative" at IIT, all members of the M.H.H., A.P., and G.G.T. groups, and especially Fernando Cid Samper. M.H.H. wishes to thank UCB Biopharma and Dr Jim Love for providing funding for the instrument used to generate the super-resolution data in this manuscript. A.P. acknowledges funding from UK DRI (grant REI 3556) and AlzheimerUK (grant ARUK-PG2019B-020). O.K. was supported by a Scottish PhD Research & Innovation Network Traineeships in MND/MS. E.Z. received funding from the Newton fellowship scheme and the MINDED fellowship of the European Union's Horizon 2020 research and innovation program under the Marie Skłodowska-Curie grant agreement No. 754490. K.J. was funded via the BBSRCEastBIO doctoral training program (BB/M010996/1). The research leading to these results was supported by European Research Council [RIBOMYLOME n. 309545 to G.G.T. and ASTRA n. 855923 to G.G.T.], H2020 [IASIS n. 727658 to G.G.T. and INFORE n. 825080 to G.G.T.] and MND [840-791 to G.G.T. and A.P.] projects. The authors would also like to acknowledge the help and support received during confocal images acquisition by the group of Giuseppe Vicidomini at the Molecular Microscopy and Spectroscopy Department of IIT. ; Peer reviewed ; Publisher PDF