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'Pico della Mirandola On Trial' uses Pico's Apology, his self-defence against heresy charges, to show that his work was in no way progressive - or 'humanist' - and that his main authorities were medieval clerics and theologians, not secular Renaissance intellectuals.

"Pico della Mirandola died in 1494 at the age of thirty-one. During his brief and extraordinary life, he invented Christian Kabbalah in a book that was banned by the Catholic Church after he offered to debate his ideas on religion and philosophy with anyone who challenged him. Today he is best known for a short speech, The Oration on the Dignity of Man, written in 1486 but never delivered. Sometimes called a "Manifesto of the Renaissance," this text has been regarded as the foundation of humanism and a triumph of secular rationality over medieval mysticism. Brian Copenhaver upends our understanding of Pico's masterwork by re-examining this key document of modernity. An eminent historian of philosophy, Copenhaver shows that the Oration is not about human dignity. In fact, Pico never wrote an Oration on the Dignity of Man and never heard of that title. Instead he promoted ascetic mysticism, insisting that Christians need help from Jews to find the path to heaven--a journey whose final stages are magic and Kabbalah. Through a rigorous philological reading of this much-studied text, Copenhaver transforms the history of the idea of dignity and reveals how Pico came to be misunderstood over the course of five centuries. Magic and the Dignity of Man is a seismic shift in the study of one of the most remarkable thinkers of the Renaissance"--

The "Oration" by philosopher Giovanni Pico della Mirandola (1463-1494), to which later editors added the subtitle "On the Dignity of Man", is the most famous text written in Italy at the height of the Renaissance. The "Life of Giovanni" by Gianfrancesco Pico, hsi nephew, is the only contemporary account of the philosopher's brief and astonishing career. Giovanni, who challenged anyone to debate him on nine hundred theses in Rome, whose writings made him a heretic by papal declaration, died at the age of thirty-one. Together, these works record Giovanni's invention of Christian Kabbalah, his search for the ancient theology of Orpheus and Zoroaster, and his effort to reconcile all the warring schools of philosophy in universal concord. In this new translation, the two texts are presented with ample explanatory notes that transform our understanding of these fascinating thinkers