Suchergebnisse

Books reviewed in this article:G. LeClerc, R. Villa and M. Dear, (eds.) La vida Latina en L.A.: urban Latino culturesM. Featherstone, and S. Lash (eds.) Spaces of culture: city — nation — worldM. Dear, The postmodern urban conditionB. Meyer, and P. Geschiere (eds.) Globalization and identity: dialectics of flow and closureS. Lash, Another modernity, a different rationalityR. Beauregard, and S. Body‐Gendrot (eds.) The urban moment: cosmopolitanessays of the late‐20th‐century city

Commentary around the electronic media has raised issues of political action, community formation and changing identities. This paper explores how the notions of 'public space' can inform this debate over electronic media. It examines the metaphorical adoption of urban models to look at electronic sociality and suggests four principle approaches: cities set in or against world flows, suburbanised telecities, communitarian visions and accounts that appeal to a renewed public sphere. The paper examines how these share many assumptions. However, instead of trying to sift these metaphors by contrasting them to a purported real world, the paper examines how they shape an electronic architecture. Spatial metaphors and electronic practices are seen as entangled and shaping each other. The paper suggests that the different metaphors for the city reflect a range of anxieties about and desires for urban life. In this sense, the 'real' city is the indefinable complexity and folding of spaces—lying outside the visualisations offered of cyberspace.

Many accounts of tourism have adopted an almost paradigmatic visual model of the gaze. This collection presents an expanded notion of spectatorship with a more dynamic sense of embodied and performed engagement with places. The approach resonates with ideas in anthropology, sociology, and geography on performance, invented traditions, constructed places and traveling cultures. Contributions highlight the often contradictory, contested and paradoxical constructions of landscape and community involved both in tourist attractions and among tourists themselves. The collection examines many differ

With more than 230 million international tourists a year, the Mediterranean region is the largest tourist destination in the world. This book outlines that its economic importance is matched by its significance as a cultural and aesthetic phenomenon. Through a series of ethnographic insights into some of the key sites of mass Mediterranean tourism, it focuses on package tourists' experiences of the serial, banal and depthless spaces that are mushrooming along the coast and the enchantments, dissolutions and dreams that saturate them. Moving away from the notion of authentic places corrupted by mass tourism, the book shows how new forms and spaces are made and remade by the mobilities and performances of locals, workers and tourists. Finally, the book looks at the complex materialities of mass tourism and the many networks that make it possible.