Suchergebnisse

Theatres of Immanence: Deleuze and the Ethics of Performance is the first monograph to provide an in-depth study of the implications of Deleuze's philosophy for theatre and performance. Drawing from Goat Island, Butoh, Artaud and Kaprow, as well from Deleuze, Bergson and Laruelle, the book conceives performance as a way of thinking immanence

Was performance important to Deleuze? Is Deleuze important to performance; to its practical, as well as theoretical, research? What are the implications of Deleuze's philosophy of difference, process and becoming, for Performance Studies, a field in which many continue to privilege the notion of performance as representation, as anchored by its imitation of an identity: 'the world', 'the play', 'the self'? Deleuze and Performance is a collection of new essays dedicated to Deleuze's writing on theatre and to the productivity of his philosophy for (re)thinking performance. This book provides rig

Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Whistle While You Work: Deleuze and the Spirit of Capitalism -- 2. The Ethics of the Event: Deleuze and Ethics without Aρxń -- 3. While Remaining on the Shore: Ethics in Deleuze's Encounter with Antonin Artaud -- 4. Responsive Becoming: Ethics between Deleuze and Feminism -- 5. Deleuze, Values, and Normativity -- 6. Ethics and the World without Others -- 7. Deleuze and the Question of Desire: Towards an Immanent Theory of Ethics -- 8. "Existing Not as a Subject But as a Work of Art": The Task of Ethics or Aesthetics? -- 9. Deleuze, Ethics, Ethology, and Art -- 10. Never Too Late? On the Implications of Deleuze's Work on Death for a Deleuzian Moral Philosophy -- 11. Ethics between Particularity and Universality -- Notes on Contributors -- Index