Suchergebnisse

Natural and archaeological places are powerful loci for social memories and continually negotiated meanings. As 'memory anchors' they are focal points for the construction of memory and meaning, and can become flashpoints for disputes over access, land-use, and knowledge claims among stakeholders with contradictory interests. In the North American Southwest the competing claims of Native American tribes, archaeologists, government bureaucrats, tourists, and the mining industry come into sharp relief. In this paper, I explore how the UNESCO World Heritage Site of Chaco Canyon figures prominently in the origin stories and sacred geographies of contemporary Pueblo and Navajo peoples – two indigenous groups with competing political stakes in the present.

As digital media become increasingly affordable and accessible, visual representation in archaeology is expanding across several dimensions. In this essay, I examine some emerging forms of visual media in archaeology, including online documentaries, maps and photographs, hypermedia, experimental films, and peripatetic video. Visual media offer powerful opportunities for engagement with the public. In addition, archaeologists are finding new ways to use the visual in interpretation, analysis, and critique. Experimental visual works often are self‐consciously reflexive, questioning and exposing the ways archaeological knowledge is constructed, represented, and disseminated.