Baroque, Venice, Theatre, Philosophy
In: Performance Philosophy
Baroque, Venice, Theatre, Philosophy -- Acknowledgements -- Contents -- 1 Introduction -- Constellatory Thinking: Baroque, Venice, Theatre, Philosophy -- Performance of Thought -- Shape of the Study -- Notes -- Part I Baroque Pastoral -- Note -- 2 Garden Thinking and Baroque Pastoral -- Gardens -- Garden Thinking -- Valsanzibio: "Ivi è l'Inferno e qui il Paradiso" -- Bomarzo: "Fatte Per Inganno O Pur Per Arte" -- From Pastoral Gardens to Pastoral Literature -- Colonna: Pastoral in Excess -- Tasso: Pastoral Discipline -- Baroque Pastoral: Ground as "Infinite Work in Process" -- Notes -- 3 Pastoral Askew and Aslant: Ruzzante's Historico-Theatrical Consciousness -- Ruzzante Takes the Stage -- Situating the Pastoral -- Pastoral as Critique within Critique within Critique -- Ruzzante's Baroque Pastoral -- Notes -- 4 Jesuit Pastoral Theatre: The Case of Father Pietro Leon da Valcamonica -- Della Ragion di stato: An Act of Justice -- Pastoral Power: An Act of Salvation -- From Pastoral Power to Pastoral Theatre -- Jesuit Baroque Allegorical Dramaturgy -- The Case of Valcamonica -- Notes -- PartII Discipline and Excess -- Note -- 5 Ruzzante Takes Place -- Prelude: Baroque Scenography and Beolco's Scenogardening -- Act I, in which Ruzzante Tries to take Venice but Fails -- Act II, In Which Ruzzante Tries to Take Back Padua -- Interlude: Taking Place as Territorialization -- Finale: The Radical, the Uprooted, and Art that Baroques -- Notes -- 6 The Enscenement of Self and the Jesuit Teatro del Mondo -- Critical Models -- Actualizing the Jesuit Teatro del Mondo -- Cultivating Affectivity -- Internal Difference and the Practice of Non-Identity -- Notes -- 7 Baroque Diarchic Self -- Beolco's Aesthetic Consignment -- The Jesuit Mass Production of a Mystical Self -- Ruzzante: A Secular Mystic? -- Becoming-Baroque -- Notes -- Bibliography -- Index