Keeping the stories relating to childhood sexual abuse and violence secret within families seems core to the traumatic effect such abuse has on the lives of not just the person who has been abused, but also on their children and even their children's children. This book demonstrates the uses of narrative practices both as a means to explore, through a collaborative research process, the effect of this traumatic legacy within families, and also the use of narrative as a dynamic therapeutic pro...
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The majority of research and writing about visual impairment is influenced by medical models of understanding, and is usually undertaken by sighted experts about those who are visually impaired. Songs at Twilight takes a different stance and uses a collaborative narrative methodology to enable the author, who is visually impaired, and thirty contributors, who are also visually impaired, to explore their experiences of living with a visual impairment and the effect this has had on their claims
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This article reflects on a doctoral research project undertaken by the author, which used co-constructed audio narratives to explore the experience of living with a visual impairment and the effect this had on claims to identity. The research project was attempting to respond to Duckett and Pratt's review of visual impairment research which called for research where there was empowerment and 'greater inclusion of visually impaired people' (2007: 7). Themes emerging from the research that were thought to have an influence on identity were related to negative societal attitudes towards visual impairment, including living in a world dominated by sighted perspectives, relationships with sighted people, attitudes towards education, schooling and employment and not having a voice within the agencies set up to support people who are visually impaired. Within this article the author specifically explores the use of collaborative narrative methodology, using excerpts from the narrative text to reflect on both the process of the research and whether this could be considered emancipatory, and also to demonstrate how societal attitudes affected the four research participants, and the author's experience of living with a visual impairment, and the effect this had on claims to identity.
This report seeks to demonstrate how the telling of stories both within a counselling and research setting enables people to reconnect with strengths and abilities that `enable' rather than `disable' and how, by resisting disabling practices and medical models of understanding, people can find new ways of identifying themselves outside the labels of `visually impaired' and `blind'.
Where Angels Fear to Tread highlights some of the ethical and emotional challenges which arise for counsellors when their clients' thoughts and behaviours become suicidal. It gives insight into how people can, and do, use suicide as a way of coping with overwhelming emotional pain, and the tension this creates in the balance between the ethical guidelines the counselling profession has adopted to protect clients against malpractice (and protect counsellors against litigation) and the needs and viewpoint of the client.The book also shows a dynamic narrative research methodology in action. There has been a deliberate move away from the traditional "expert" and "subject" positions predominating research, and priority given to the telling of previously marginalised stories in ways that are evocative, congruent with the therapeutic endeavour. The research process is shown as a social construction of lived experience that navigates the borders between narrative research and narrative therapy conveying a distinctive perspective on both the subject matter and the dynamics of both therapeutic and research relationships.
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Examines conflict in international law between the right to leave one's country vs. the right of countries to exclude immigrants; case studies of Mexican, Irish, and Haitian immigrants.