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AbstractThe following article explores the different ways art sociologists investigate art that is based in the participatory arts. The aim is to shift the empirical focus to the art practice, which speaks for itself, and to place the work of the artist and all who cooperate or collaborate in the making of the artwork at the center of sociological analysis. By allowing the artist to speak fully about their work, art sociologists can uncover new social and cultural phenomena and better understand the different motivations underlying art‐making. The following literature highlights the recent tendencies in the sociology of art, explores the "social turn" in art and presents different sociologists who focus on the art practice and the art's voice. For further development of the field, I suggest the sociology of art needs to catch‐up with the recent tendencies in art by placing the empirical focus on participatory art practices that will not only give us a better understanding about the intricate actions taking place in the art making, but it will also illuminate new layers of social life that are hidden. To conclude, I suggest that sociologists engage with participatory‐based artists to enhance sociology through a public sociology of art.