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Ballestero, Andrea & Brit RossWinthereik (eds). Experimenting with ethnography: a companion to analysis. xi, 301 pp., figs., illus., bibliogrs. Durham, N.C.: Duke Univ. Press, 2021. £20.99 (paper)
In: The journal of the Royal Anthropological Institute, Band 30, Heft 2, S. 516-517
ISSN: 1467-9655
Desiring Bollywood: Re‐Staging Racism, Exploring Difference
In: American anthropologist: AA, Band 122, Heft 4, S. 961-972
ISSN: 1548-1433
ABSTRACTIn this article, I engage with the insights that emerged through the making of Desiring Bollywood, a collaborative ethno‐fiction project I produced in 2018. The project recruited academics, amateur actors, novice filmmakers, and enthusiastic university students to narrate the story of Jason, an aspiring actor and filmmaker from Nigeria who I first met in 2013, soon after his release from Tihar Prison in Delhi, India. My goals are two‐fold: first, to share a few scenes from the film—embedded in this article as video clips—to broadly theorize the affordances and limits of what I call re‐staging, the collaborative, performance‐based multimodal method we devised and deployed to produce Desiring Bollywood. Second, and more central to the article, I aim to analyze these very same scenes to show how re‐staging, as it offered participants involved in the project the opportunity to reflexively explore how Jason's experiences of discrimination in Delhi and the aspirations and desires that led him there in the first place, creates a rich site of analysis to engage with the nuances of anti‐Black racism in India in a moment where "India–Africa" economic relationships are on the rise. [multimodality, collaboration, racism, migration, Africa, India, Nigeria]
The Echo of Things: The Lives of Photographs in the Solomon Islands. Christopher Wright Durham: Duke University Press, 2013. 221 pp
In: American anthropologist: AA, Band 118, Heft 3, S. 640-641
ISSN: 1548-1433
Diasporic sincerity: tales from a returnee researcher
In: Identities: global studies in culture and power, Band 21, Heft 2, S. 152-167
ISSN: 1070-289X
Diasporic sincerity: tales from a 'returnee' researcher
In: Identities: global studies in culture and power, Band 21, Heft 2, S. 152-167
ISSN: 1547-3384
Diasporic sincerity: tales from a 'returnee' researcher
In: Identities: global studies in culture and power, Band 21, Heft 2, S. 152-167
ISSN: 1547-3384
Digital unsettling: decoloniality and dispossession in the age of social media
In: Critical cultural communication
"Focusing primarily on the role of social media and staging a number of examples of platform entangled politics and digital mobilization, Digital Unsettling offers the first distinctly critical-ethnographic perspective to place 'the digital' in the historical longue durée of coloniality"--
Digital Unsettling: Decoloniality and Dispossession in the Age of Social Media
In: Critical Cultural Communication
How digital networks are positioned within the enduring structures of colonialityThe revolutionary aspirations that fueled decolonization circulated on paper-as pamphlets, leaflets, handbills, and brochures. Now-as evidenced by movements from the Arab Spring to Black Lives Matter-revolutions, protests, and political dissidence are profoundly shaped by information circulating through digital networks. Digital Unsettling is a critical exploration of digitalization that puts contemporary "decolonizing" movements into conversation with theorizations of digital communication. Sahana Udupa and Ethiraj Gabriel Dattatreyan interrogate the forms, forces, and processes that have reinforced neocolonial relations within contemporary digital environments, at a time when digital networks-and the agendas and actions they proffer-have unsettled entrenched hierarchies in unforeseen ways. Digital Unsettling examines events-the toppling of statues in the UK, the proliferation of #BLM activism globally, the rise of Hindu nationalists in North America, the trolling of academics, among others-and how they circulated online and across national boundaries. In doing so, Udupa and Dattatreyan demonstrate how the internet has become the key site for an invigorated anticolonial internationalism, but has simultaneously augmented conditions of racial hierarchy within nations, in the international order, and in the liminal spaces that shape human migration and the lives of those that are on the move. Digital Unsettling establishes a critical framework for placing digitalization within the longue durée of coloniality, while also revealing the complex ways in which the internet is entwined with persistent global calls for decolonization
Digital Unsettling: Decoloniality and Dispossession in the Age of Social Media
In: Critical Cultural Communication
How digital networks are positioned within the enduring structures of coloniality The revolutionary aspirations that fueled decolonization circulated on paper—as pamphlets, leaflets, handbills, and brochures. Now—as evidenced by movements from the Arab Spring to Black Lives Matter—revolutions, protests, and political dissidence are profoundly shaped by information circulating through digital networks. Digital Unsettling is a critical exploration of digitalization that puts contemporary "decolonizing" movements into conversation with theorizations of digital communication. Sahana Udupa and Ethiraj Gabriel Dattatreyan interrogate the forms, forces, and processes that have reinforced neocolonial relations within contemporary digital environments, at a time when digital networks—and the agendas and actions they proffer—have unsettled entrenched hierarchies in unforeseen ways. Digital Unsettling examines events—the toppling of statues in the UK, the proliferation of #BLM activism globally, the rise of Hindu nationalists in North America, the trolling of academics, among others—and how they circulated online and across national boundaries. In doing so, Udupa and Dattatreyan demonstrate how the internet has become the key site for an invigorated anticolonial internationalism, but has simultaneously augmented conditions of racial hierarchy within nations, in the international order, and in the liminal spaces that shape human migration and the lives of those that are on the move. Digital Unsettling establishes a critical framework for placing digitalization within the longue durée of coloniality, while also revealing the complex ways in which the internet is entwined with persistent global calls for decolonization.
In the Dark All Cats Are Black
In: Comparative studies of South Asia, Africa and the Middle East, Band 38, Heft 2, S. 412-440
ISSN: 1548-226X
Introduction: Multimodal Anthropology and the Politics of Invention
In: American anthropologist: AA, Band 121, Heft 1, S. 220-228
ISSN: 1548-1433
Multimodal Ambivalence: A Manifesto for Producing in S@!#t Times
In: American anthropologist: AA, Band 123, Heft 2, S. 420-427
ISSN: 1548-1433
Multimodal Ambivalence and the Struggle against Techno‐Supremacies
In: American anthropologist: AA, Band 123, Heft 3, S. 688-689
ISSN: 1548-1433