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The study aimed to validate the Italian version of the Measure for Assessing Subtle Rape Myths developed by McMahon and Farmer. A sample of 3,915 university students (70.8% female) completed the questionnaire. After an exploratory factor analysis, a confirmatory factor analysis tested the resulting four-factor structure of the Italian Subtle Rape Myth Acceptance (SRMA-IT) Scale ("She Asked for It"; "He Didn't Mean To"; "It Wasn't Really Rape"; and "She Lied"), consistent with McMahon and Farmer's initial hypothesis. The Italian validation did not include items related to intoxication. Internal consistency of the subscales was good (α from .78 to .90). Convergent validity between all subscales and System Justification–Gender was detected: A strong relationship was observed ( r is from .19 to .33; p < .001). The independent-sample T test then showed that women accepted all four rape myths significantly less than men: Effect size is more than moderate for the myth "She Asked for It" (Cohen's d = .60) and between small and moderate for the other myths ( d is from .35 to .42). Acceptance of rape myths is often associated with higher men's proclivity to rape and with tendency to raped women's double victimization (they can be not believed or blamed when they disclose the rape). Having a validated instrument to measure rape myth acceptance can enhance empirical research on this topic and help to develop interventions of prevention both for men in the society and for the first responders to disclosures, also sustaining a culture of respect and of contrast to violence.

Abstract
This paper contributes to a reflection on the relationship between community development and performing art. It discusses the possible effects of a community theatre with regard to social and cultural capital, social inclusion, and audience development in Turin (Italy). This form of artistic production can promote social ties and participation in cultural activities and increase social and cultural inclusion, key values in community development. We examine audience characteristics, development, and appreciation as the primary indicators of success, as perceived by selected stakeholders, within the context of a single case study. The intervention involved a heterogeneous audience of people who usually do not participate in neighbourhood activities and/or attend artistic-theatrical performances. As stated by the stakeholders, the project was appreciated and its impact on the citizenry was positive, particularly for the cognitive and emotional involvement and the heightened awareness of often hidden or unknown problems and resources. Limitations are also discussed.

AbstractEnjoyment of sexualization (EoS) occurs when people find appearance-based sexual attention from others to be positive and rewarding. Scholars have not consistently established if enjoyment of being sexualized may be a form of sexual empowerment, promoting positive body acceptance, control, and self-care, or instead an endorsement of sexist ideologies, based on the idea that being sexually appealing to men is a component of the feminine gender role. In order to shed light on this, the present study aimed to analyze whether enjoyment of sexualization may foster adaptive or maladaptive coping strategies in case of threat to a positive body image. We also considered the role of ambivalent sexism in EoS processes, as well as that of self-esteem in body coping strategies. Considering the increasing sexualization of men in Western societies, the same relationships were tested in both men and women adults by means of a multigroup moderation analysis. Participants were 513 subjects (32.3% men, M = 25.97 years old) recruited from the Italian general population. Results showed that enjoyment of sexualization was positively related to both adaptive (i.e., positive rational acceptance) and maladaptive strategies (i.e., appearance fixing). Hostile sexism was positively linked to EoS in both men and women, whereas benevolent sexism was positively linked to EoS in the case of women and negatively in the case of men. Implications about the ambivalent nature of enjoyment of sexualization are discussed.