Cover -- Title Page -- Copyright Page -- Table of Contents -- Preface -- Acknowledgments -- Chapter 1: An Introduction to Polarity, Ambiguity, and Kinship -- Chapter 2: Meaningful Rodents -- Chapter 3: Between Human and Nonhuman: Crossing the Great Divide in the Laboratory -- Chapter 4: And Darwin Wept -- Chapter 5: The Calculus of Care, the Laboratope, and the Relations of Mundane Kinship -- Chapter 6: Ambiguity: Indistinctive Kinship in the Shadow of the Sacrificial Economy -- References -- Index.
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Cover -- Title Page -- Copyright Page -- Table of Contents -- Foreword -- Preface -- Introduction -- Chapter One: Complex and Nuanced Conceptions of Emotion, Music and Fieldwork -- Chapter Two: Embodied Disconnection: Police, Emotion and the Social Body -- Chapter Three: Rehearsal: The Recipe for Sad -- Chapter Four: Becoming an Instrumentalized Person -- Chapter Five: Some Law Enforcement Officers will Now Sing 'My Heart Will Go On' (Or Metonyms and Contradictions) -- Chapter Six: The Final Curtain -- Notes -- Bibliography -- Index.
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Die folgenden Links führen aus den jeweiligen lokalen Bibliotheken zum Volltext:
Although tobacco is a legal substance, many governments around the world have introduced legislation to restrict smoking and access to tobacco products. Smokefree critically examines these changes, from the increasing numbers of places being designated as 'smokefree' to changes in cigarette packaging and the portrayal of smoking in popular culture. Unlike existing texts, this book neither advances a public health agenda nor condemns the erosion of individual rights. Instead, Simone Dennis takes a classical anthropological approach to present the first agenda-free, full-length study of smoking. Observing and analysing smoking practices and environments, she investigates how the social, moral, political and legal atmosphere of 'smokefree' came into being and examines the ideas about smoke, air, the senses, space, and time which underlie it. Looking at the impact on public space and individuals, she reveals broader findings about the relationship between the state, agents, and what is seen to constitute 'the public'. Enriched with ethnographic vignettes from the author's ten years of fieldwork in Australia, Smokefree is a challenging, important book which demands to be read and discussed by anyone with an interest in anthropology, sociology, political science, human geography, and public health.
Although tobacco is a legal substance, many governments around the world have introduced legislation to restrict smoking and access to tobacco products. Smokefree critically examines these changes, from the increasing numbers of places being designated as 'smokefree' to changes in cigarette packaging and the portrayal of smoking in popular culture. Unlike existing texts, this book neither advances a public health agenda nor condemns the erosion of individual rights. Instead, Simone Dennis takes a classical anthropological approach to present the first agenda-free, full-length study of smoking. Observing and analysing smoking practices and environments, she investigates how the social, moral, political and legal atmosphere of 'smokefree' came into being and examines the ideas about smoke, air, the senses, space, and time which underlie it. Looking at the impact on public space and individuals, she reveals broader findings about the relationship between the state, agents, and what is seen to constitute 'the public'. Enriched with ethnographic vignettes from the author's ten years of fieldwork in Australia, Smokefree is a challenging, important book which demands to be read and discussed by anyone with an interest in anthropology, sociology, political science, human geography, and public health.
This paper is framed by the cultural politics of nationhood in contemporary Australia and particularly by the ways in which the nation has sought to produce borders that have manifested themselves as altered cartographic boundaries and exclusion zones. The paper itself is concerned with life on Christmas Island, and is focused on the ways in which multiethnic Christmas Island locals use blood metaphors drawn from the Island's native Christmas Island red crabs and alien, predatory yellow ants, to articulate patterns of human movement and migration into island space. The metaphors reveal coalescences between the body of the self, the other, nature, and the island place. I explore these coalescences to present a picture of migration and movement from the perspective of those who live within the migration exclusion zone.
This paper concerns itself with some of the consequences of legislatively supported public health interventions into smoking. These have emerged from the legislative environment of 'smokefree' in Australia, and centrally concern the constitution of public
In this paper, I examine how the explication of the air has figured environments, places, politics and the constitution of 'the public' in the era of smokefree. I argue in this paper that an especial imaginary of the air, one that recalls and revitalises much earlier notions of the air as bearer of miasmatic pollution, and even earlier ideas about the physical quality of the air and its relationship to the political state, has shaped how persons and places are formed and subject to inclusion and exclusion as part of the new politics of 'the public'. I draw attention to the ways in which these configurations of persons and places have relied upon the explication of the air itself, and to the consequences of explicating the air.
This paper concerns itself with some of the consequences of legislatively supported public health interventions into smoking. These have emerged from the legislative environment of 'smokefree' in Australia, and centrally concern the constitution of public
This paper is framed by the cultural politics of nationhood in contemporary Australia and particularly by the ways in which the nation has sought to produce borders that have manifested themselves as altered cartographic boundaries and exclusion zones. The paper itself is concerned with life on Christmas Island, and is focused on the ways in which multiethnic Christmas Island locals use blood metaphors drawn from the Island's native Christmas Island red crabs and alien, predatory yellow ants, to articulate patterns of human movement and migration into island space. The metaphors reveal coalescences between the body of the self, the other, nature, and the island place. I explore these coalescences to present a picture of migration and movement from the perspective of those who live within the migration exclusion zone.
"This textbook is written by well-established anthropology professors for, and with, their undergraduate students. It explores what anthropological thinking is, what anthropological approaches are, and how these are applied in real-world settings. It provides a thorough introduction to key methods, theories and the disciplinary value of contemporary anthropology. This book deliberately steps beyond the standard textbook format. Undergraduate students reveal the processes by which they came to understand and apply anthropological knowledge using everyday experiences and common life events as examples, while also showcasing the research that student authors produced as a result of understanding and operationalising those processes. This fresh take showcases what can be done with anthropological knowledge, not what you can do with anthropology when you've achieved the rank of professor. This book is accompanied by practical exercises, and podcasts that relate to each of the chapters. Podcasts extend beyond the textbook as live resources, with episodes on a regular basis. This is an accessible, lively, active text that prepares students to outbound disciplinary knowledge. This unique and engaging textbook will be core reading for undergraduate anthropology students, as well as a source of teaching inspiration for lecturers of undergraduate anthropology units. It would also be a useful text for undergraduate students conducting ethnographic research"--
The legislation of health warning labels on cigarette packaging is a major focus for tobacco control internationally and is a key component of the World Health Organization's Framework Convention on Tobacco Control. This population level intervention is broadly supported as a vital measure for warning people about the health consequences of smoking. However, some components of this approach warrant close critical inspection. Through a qualitative content analysis of the imagery used on health warning labels from 4 countries, we consider how this imagery depicts people that smoke. By critically analyzing this aspect of the visual culture of tobacco control, we argue that this imagery has the potential for unintended consequences, and obscures the social and embodied contexts in which smoking is experienced. ; Anthropology, Department of ; Applied Science, Faculty of ; Arts, Faculty of ; Nursing, School of ; Non UBC ; Reviewed ; Faculty