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Teenagers and Teenpics tells the story of two signature developments in the 1950s: the decline of the classical Hollywood cinema and the emergence of that strange new creature, the American teenager. Hollywood's discovery of the teenage moviegoer initiated a progressive "juvenilization" of film content that is today the operative reality of the American motion picture industry.The juvenilization of the American movies is best revealed in the development of the 1950s "teenpic," a picture targeted at teenagers even to the exclusion of their elders. In a wry and readable style, Doherty defines an
In: American communist history, Band 10, Heft 2, S. 189-192
ISSN: 1474-3906
In: Reason: free minds and free markets, Band 39, Heft 8, S. 54-58
ISSN: 0048-6906
In: Asian survey, Band 24, Heft 8, S. 840-851
ISSN: 1533-838X
In: Asian survey: a bimonthly review of contemporary Asian affairs, Band 24, S. 840-851
ISSN: 0004-4687
In: Film and culture
Prologue: Judenfilm! -- Hollywood Berlin Hollywood -- Hitler, a "blah show subject" -- The Nazis in the newsreels -- The Hollywood anti-Nazi league -- Mussolini Jr. goes Hollywood -- The Spanish Civil War in Hollywood -- Foreign imports -- The blight of radical propaganda -- Inside Nazi Germany with the March of Time -- Grim reaper material -- There is no room for Leni Riefenstahl in Hollywood -- The only studio with any guts -- Hollywood goes to war -- Epilogue: the motion picture memory of Nazism The abundance of WWII-era documentaries and the huge cache of archival footage that has emerged since 1945 make it seem as if cinematic images of the Nazis were always as vivid and plentiful as they are today. Yet between 1933 and 1939, representations of the Nazis and the full meaning of Nazism came slowly to Hollywood, growing more distinct and ominous only as the decade wore on. Recapturing what ordinary Americans saw on the screen during the emerging Nazi threat, Thomas Doherty reclaims forgotten films, such as 'Hitler's Reign of Terror' (1934), a pioneering anti-Nazi docu-drama by Cornelius Vanderbilt, Jr.; 'I Was a Captive of Nazi Germany' (1936), a sensational true tale of 'a Hollywood girl in Naziland!'; and 'Professor Mamlock' (1938), an anti-Nazi film made by German refugees living in the Soviet Union. Doherty also recounts how the disproportionately Jewish backgrounds of the executives of the studios and the workers on the payroll shaded reactions to what was never simply a business decision
In: Film and culture
1. Video rising -- A television genealogy -- Red and other menaces -- McCarthy : man, ism, and television -- 2. The Gestalt of the blacklist -- The blacklist backstory -- Pressure groups and pressure points -- Institutional practices -- 3. Controversial personalities -- The Goldbergs : the case of Philip Loeb -- I Love Lucy : the redhead and the blacklist -- 4. Hypersensitivity : the codes of television censorship -- Faye Emerson's breasts, among other controversies -- Amos 'n' Andy : Blacks in your living room -- 5. Forums of the air -- Egghead Sundays -- Direct address -- The Ike-onoscope -- 6. Roman circuses and Spanish inquisitions -- "Kefauver fever" : the Kefauver crime committee -- Hearings of 1951 HUAC-TV -- Wringing the neck of Reed Harris : the McCarthy committee's Voice of America hearings (1953) -- 7. Country and God -- I led 3 lives : "watch yourself, Philbrick!" -- Religious broadcasting -- Life is worth living : starring Bishop Fulton J. Sheen -- 8. Edward R. Murrow slays the dragon of Joseph McCarthy -- TV's number one glamour boy -- Murrow versus McCarthy -- The "good Tuesday" homily -- To be person-to-personed -- "A humble, poverty stricken Negress" : Annie Lee Moss before the McCarthy Committee -- McCarthy gets equal time -- 9. The Army-McCarthy hearings (April 22-June 17, 1954) -- Backstory and dramatis personae -- Gavel-to-gavel coverage -- Climax : "hove you left no sense of decency?" -- Denouement : reviews and postmortems -- 10. Pixies : homosexuality, anticommunism, and television -- Red fades to pink -- Airing the Cohn-Schine affair -- 11. The end of the blacklist -- The defenders : the blacklist on trial -- Point of order! : the Army-McCarthy hearings, the movie -- 12. Exhuming McCarthyism : the paranoid style in American television
In: Climate Change and Public Health, S. 195-214
In: Media and popular culture 3
In: Asian survey: a bimonthly review of contemporary Asian affairs, Band 24, Heft 8, S. 840-851
ISSN: 0004-4687
After a brief overview of the film industry in Korea since 1926 the problems of this industry in South Korea since 1955 are discussed and analyzed. Measures adopted by various South Korean administrations to encourage the domestic film industry. New standards set for motion picture production companies by the Motion Picture Law of 1962. The importation of foreign films - a sensitive economic and cultural issue
World Affairs Online
As evidenced by the 2001 foot-and-mouth disease (FMD) epidemic in the UK, this can involve transmission over large geographical distances and can result in major economic loss. One consequence of the FMD epidemic was the introduction of mandatory livestock movement restrictions: a 13-day standstill in Scotland for cattle and sheep after moving livestock onto a farm (allowing many exemptions) and a 6-day standstill for cattle and sheep in England and Wales (with minor exemptions, e.g. direct movements to slaughter). Such standstills are known to be effective but commercial considerations result in pressures to relax them. When contemplating legislative changes such as a change in length of movement restrictions we need to consider the consequent effect these could have on the emergent properties of the system, i.e. the network structure itself. In this study, we investigate how disease dynamics change when the local contact structure of the recorded livestock movement network in Scotland is altered through rewiring movements between premises. The network rewiring used here changes the structure of the recorded trade network through a combination of altered movement restrictions and redirection of movements between holdings and markets to avoid nonsensical activity (e.g. movements to markets on days when they are inactive) while conserving other characteristics (e.g. movement date as closely as possible and market sales of the correct animal production type). Rewiring results in networks with higher clustering coefficients and lower network density. The impact of rewiring on a hypothetical foot-and-mouth disease outbreak in Scotland was assessed by stochastic simulation, considering scenarios with and without exemptions to the standstill rules. As expected, rewiring leads to a decrease in outbreak size and - if standstill exemptions are prohibited – higher probability of smaller outbreaks. Without exemptions, a shorter movement standstill is almost as effective as a longer standstill period, indicating that a simpler biosecurity system would offer minimal additional risk for FMD. These results suggest that explicitly manipulating the contact network structure in a sensible way has the potential to significantly impact disease control.
BASE
The concept of access to natural resources has been a specific concern of economists and ecologists and is a distinct component in recent models of social sustainability. Using a series of conceptual and empirical examples, this article extends the notion of access broadly to social institutions and sociocultural norms. We argue that access may be usefully construed as an analytic tool that has direct applicability to many sustainability issues as it allows for cross-disciplinary and public engagement. Here the concept of access, linked to Amartya Sen's theory of capabilities, also makes visible the multi-scaled and interconnected social processes that influence the material world and from which certain individuals and communities are excluded. This article examines access as a set of culturally appropriate and equitable engagements that promote social sustainability with a series of four examples: access to actions necessary to reclaim a polluted river; access to restorative natural environments; access to information and research findings; and access to decision-making processes. Insights from these examples are integrated within the wider discourse on sustainability.
BASE
In: Exeter Studies in Film History
This book analyses the diverse historical and geographical circumstances in which audiences have viewed American cinema. It looks at cinema audiences ranging from Manhattan nickelodeons to the modern suburban megaplex, and from provincial, small-town or rural America to the shanty towns of South Africa