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Frontcover -- CONTENTS -- Essays -- The Current State of Research on Late-Medieval Drama: 2000-2002. Survey, Bibliography, and Reviews -- Les métaphores érotiques des 'Cent Nouvelles nouvelles': sexe et écriture. -- Variation on a Limbourg Theme: Saint Anastasia at the Nativity in a Getty Book of Hours and in French Medieval Literature -- Incunabula on Syphilis -- Happy Endings? Representations of Old Age in Fifteenth-Century French Poetry -- Das Bildprogramm für Schondochs Novelle 'Die Königin von Frankreich und der ungetreue Marschall' (c.1400)

Special issue focusing on violence in fifteenth-century life, text, and image: warfare and justice, violence in family and milieu (court, town, village, and forest), hagiography, ethnicity and xenophobia, gender relations and sexual violence, brutality on the stage, and the relation of text and image in the depiction of violence.

The standard survey of drama research leads off this volume. Ten essays follow dealing with love poetry, laughter and manhood, a new dating of 'Sir Gawein & the Green Knight', German eschatological theatre, the end of the persecution of witches, late medieval executioners and much more.

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that the period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. 'Fifteenth-Century Studies' offers essays on diverse aspects of the period, including liberal and fine arts, historiography, medicine, and religion. Following the customary opening article on the current state of fifteenth-century drama research, essays treat such topics as poetry as a source for illustrated German prose, the St. Edith picture cycle in Salisbury, the flourishing of French history; and Spanish schools of translators. Other essays treat poems from the 'Gruuthuse' songbook; Louis XI and pilgrim's dress, Robert Henryson's 'Moral Fabilles,' violence in English romances, Jews' presence through absence in Vicente Ferrer's 'Sermons,' and Conrad Buitzruss's recipe collection in Manuscript Clm 671 (Munich). Book reviews conclude the volume. Contributors: Edelgard E. DuBruck, James H. Brown, Mary Dockray-Miller, Jean Dufournet, Rocío del Río Fernández, Bas Jongenelen and Ben Parsons, Jennifer Lee, John Marlin, Ilan Mitchell-Smith, Daniel Salas-Días, Elizabeth I. Wade-Sirabian. Edelgard E. DuBruck is professor emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor emerita of English at Troy University, Dothan, Alabama

The fifteenth century defies consensus on fundamental issues; most scholars agree, however, that this period outgrew the Middle Ages, that it was a time of transition and a passage to modern times. Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, 'Fifteenth-Century Studies' offers essays on diverse aspects of the fifteenth century, including liberal and fine arts, historiography, medicine, and religion. Following the standard opening article on the current state of fifteenth-century drama research, volume 33 offers essays investigating authors such as Christine de Pizan, Hans Sachs, Hartmann Schedel, Alain Chartier, and Robert Henryson. Genres and themes treated include drama, epistles of persuasion, late Arthurian romances, translations, mythology and folklore, print media, and art appreciation. Alternative interpretations are afforded by Franco Mormando's study of male nakedness and the Franciscans. Twelve book reviews round out the volume. Contributors: Edelgard E. DuBruck, Tracy Adams, Lidia Amor, Roció del Río Fernández, Leonardas Vytautas Gerulaitis, Jonathan Green, Christiane J. Hessler, Ashby Kinch, Franco Mormondo, Alessandra Petrina. Edelgard E. DuBruck is professor emerita of French and Humanities at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor emerita of English at Troy University, Dothan, Alabama

Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, 'Fifteenth-Century Studies' offers essays on diverse aspects of the 15th century, including liberal and fine arts, historiography, medicine, and religion. Designed as a 'Festschrift' honoring Edelgard E. DuBruck, the current volume focuses on the importance and praise of late-medieval women. Topics include Christine de Pizan's response to Boccaccio's 'De Mulieribus Claris,' the figures of Melibea and Celestina in 'La Celestina,' Catalan love poetry, the Nine Muses in Le Franc's 'Champion des Dames,' and artistic praise of the Virgin Mary. Other topics include a wellness guide for late-medieval seniors, women's sins of the tongue and Villon's 'Testament,' the stoic tradition seen in a farewell letter, medicine and magic, and book-burning. An article demonstrates Bertrand Du Guesclin's extraordinary valor, and two essays on Chaucer explore chivalry and violence in 'The Knight's Tale' and Troilus's withdrawal at the end of 'Troilus and Criseyde'. CONTRIBUTORS: MELITTA WEISS ADAMSON, GARY B. BLUMENSHINE, KAREN CASEBIER, EDELGARD E. DUBRUCK, OLGA ANNA DUHL, BARBARA I. GUSICK, JAIME LEANOS, ILAN MITCHELL-SMITH, CHRISTIANE RAYNAUD, ROXANA RECIO, BARBARA N. SARGENT-BAUR, KAREN ELAINE SMYTH, STEVEN MILLEN TAYLOR, ARJO VANDERJAGT, ELIZABETH I. WADE-SIRABIAN, KARL A. ZAENKER. Edelgard E. DuBruck is professor emerita at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor at Troy University-Dothan, Dothan, Alabama

Frontcover -- Contents -- Essays -- The Current State of Research on Late-Medieval Drama: 2004-2005: Survey, Bibliography, and Reviews -- Intertextual Play and the Game of Love: The "Belle Dame sans mercy" Cycle -- Hans Sachs's "Tragedy of the Last Judgment" (1558): Eschatological Theater in Germany -- La traducción en el siglo XV: herramientas de trabajo, procedimientos, técnicas y métodos -- Doctor Johann Weyer (1515-88) and Witchcraft -- Christ's Healing of the Lame Man in the York Cycle's "Entry into Jerusalem": Interpretive Challenges for the Newly Healed

Founded in 1977 as the publication organ for the Fifteenth-Century Symposia, Fifteenth-Century Studies has appeared annually since then. It offers essays on diverse aspects of the 15th century, including liberal and fine arts, historiography, medicine, and religion. The 15th century defies consensus on fundamental issues; most scholars agree, however, that this period outgrew the Middle Ages, that it was a time of transition, and a passage to modern times. The current volume opens with the customary survey of research on 15th-century drama. Graham A. Runnalls and Jesse Hurlbut present their extensive bibliography of French miracle plays and mysteries, a work accumulated over 25 years. Continuing on the topic of late-medieval art, Edelgard DuBruck offers a study of gesture within the miniatures of the Passion Isabeau (1398). Barbara I. Gusick analyzes healing and social reorientation in Christ's transformation of Zacchaeus in the York Cycle; Mark Trowbridge investigates the Cleveland St. John the Baptist, attributed to Petrus Christus. Finally, this year's entry by Leonardas V. Gerulaitis provides Renaissance views on genius and madness. A book review section concludes the volume. Edelgard E. DuBruck is professor emerita of Modern Languages at Marygrove College, Detroit, Michigan, and Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama

Founded in 1977 as the publication organ for the Fifteenth-Century Symposium, 'Fifteenth-Century Studies' has appeared annually since then. It publishes essays on all aspects of life in the fifteenth century, including literature, drama, history, philosophy, art, music, religion, science, and ritual and custom. The editors strive to do justice to the most contested medieval century, a period that has long been the stepchild of research. The fifteenth century defies consensus on fundamental issues: some scholars dispute, in fact, whether it belonged to the middle ages at all, arguing that it was a period of transition, a passage to modern times. At issue, therefore, is the very tenor of an age that stood under the influence of Gutenberg, Columbus, the 'Devotio Moderna,', and Humanism. Along with the standard updating of bibliography on 15th-c. theater, this volume is devoted to research on late-medieval authors as literary critics. Thus, for the historian as well as the writer of fiction, the tenuous limits between truth and fantasy (and the role of doubt) are investigated. If there are several eyewitness accounts of an event, which one can be trusted? Medieval memorialists sometimes became advisors to princes and used a rhetoric of careful persuasion. Values such as chivalry, courtly love, and kingly self-representation come up for discussion here. Several essays ponder the structure of poetic forms and popular genres, and others consider more factual topics such as incunabula on medications, religious literature in the vernacular for everyday use, a student's notebook on magic, and late medieval merchants, money, and trade. Contributors: Edelgard DuBruck, Karen Casebier, Emma J. Cayley, Albrecht Classen, Michael G. Cornelius, Jean Dufornet, Catherine Emerson, Leonardas V. Gerulaitis, Kenneth Hodges, Sharon M. Loewald, Luca Pierdominici, Michel J. Raby, Elizabeth I. Wade. Edelgard E. DuBruck is professor emerita in the Modern Languages Department at Marygrove College in Detroit; Barbara I. Gusick is professor emerita of English at Troy University-Dothan, Dothan, Alabama