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The prestige of the Enlightenment has declined in recent years. Many consider its thinking abstract, its art and poetry uninspiring, and the assertion that it introduced a new age of freedom and progress after centuries of darkness and superstition presumptuous. In this book, an eminent scholar of modern culture shows that the Enlightenment was a more complex phenomenon than most of its detractors and advocates assume. It includes rationalist as well as antirationalist tendencies, a critique of traditional morality and religion as well as an attempt to establish them on new foundations, even the beginning of a moral renewal and a spiritual revival.The Enlightenment's critique of tradition was a necessary consequence of the fundamental modern principle that we humans are solely responsible for the course of history. Hence we can accept no belief, no authority, no institutions that are not in some way justified. This foundation, for better or for worse, determined the course of the following centuries. Despite contemporary reactions against it, the Enlightenment continues to shape our own time and still distinguishes Western culture from any other

Religion and the rise of modern culture -- The form of modernity -- Nature and grace -- The crisis of the Enlightenment -- On the intellectual sources of modern atheism -- God and the poetry of the new age : classicism and romanticism in Germany -- Schelling and the revival of mythology -- The rebirth of theology : Schleiermacher and Kierkegaard -- Religion at the end of the modern age

The termcommon goodhas been used in so many ways that it would be difficult to find any political thinker, however individualistically oriented, who has not, in one form or another embraced it. The classical definition, formulated in the Middle Ages on the basis of Aristotelian principles, referred to a good proper to, and attainable only by, the community, yet individually shared by its members. As such the common good is at once communal and individual. Still, it does not coincide with the sum total of particular goods and exceeds the goals of inter-individual transactions. Once the idea of community lost its ontological ultimacy (mainly under the impact of nominalist thought), a struggle originated between the traditional conception of the community as an end in itself and that of its function to protect the private interests of its members. Eventually the latter theory prevailed and, after it became reinforced by resistance movements against repressive national government policies, it led to a doctrine of individual rights as independent of society. The intellectual and moral pluralism of recent times has made theorists reluctant to attribute any specific content to the notion of a common good. At a time when national communities face an increasing integration with one another in a world of dwindling resources, such a privatization seems inappropriate. The article argues for a restoration of an idea of the common good which incorporates individual rights without separating them from their social context.

"This eagerly awaited study brings to completion Louis Dupré's planned trilogy on European culture during the modern epoch. Demonstrating remarkable erudition and sweeping breadth, The Quest of the Absolute analyzes Romanticism as a unique cultural phenomenon and a spiritual revolution. Dupré philosophically reflects on its attempts to recapture the past and transform the present in a movement that is partly a return to premodern culture and partly a violent protest against it. Following an introduction on the historical origins of the Romantic Movement, Dupré examines the principal Romantic poets of England (Wordsworth, Coleridge, Shelley, Keats), Germany (Goethe, Schiller, Novalis, Hölderlin), and France (Lamartine, de Vigny, Hugo), all of whom, from different perspectives, pursued an absolute ideal. In the chapters of the second part, he concentrates on the critical principles of Romantic aesthetics, the Romantic image of the person as reflected in the novel, and Romantic ethical and political theories. In the chapters of the third, more speculative, part, he investigates the comprehensive syntheses of romantic thought in history, philosophy, and theology. The Quest of the Absolute is an important work both as the culmination of Dupré's ongoing project and as a classic in its own right. The book will meet the expectations of the specialist as well as appeal to more general readers with philosophical, cultural, and religious interests."--Publisher's website

This study brings to completion the author's planned trilogy on European culture during the modern epoch. Demonstrating remarkable erudition and sweeping breadth, this book analyzes Romanticism as a unique cultural phenomenon and a spiritual revolution. The author philosophically reflects on its attempts to recapture the past and transform the present in a movement that is partly a return to premodern culture and partly a violent protest against it. Following an introduction on the historical origins of the Romantic Movement, the author examines the principal Romantic poets of England (Wordsworth, Coleridge, Shelley, Keats), Germany (Goethe, Schiller, Novalis, Hölderlin), and France (Lamartine, de Vigny, Hugo), all of whom, from different perspectives, pursued an absolute ideal. In the chapters of the second part, the author concentrates on the critical principles of Romantic aesthetics, the Romantic image of the person as reflected in the novel, and Romantic ethical and political theories. In the chapters of the third, more speculative, part, he investigates the comprehensive syntheses of romantic thought in history, philosophy, and theology. This book will meet the expectations of the specialist as well as appeal to more general readers with philosophical, cultural, and religious interests. -- Publisher's website

The prestige of the Enlightenment has declined in recent years. Many consider its thinking abstract, its art and poetry uninspiring, and the assertion that it introduced a new age of freedom and progress after centuries of darkness and superstition presumptuous. In this book, an eminent scholar of modern culture shows that the Enlightenment was a more complex phenomenon than most of its detractors and advocates assume. It includes rationalist as well as antirationalist tendencies, a critique of traditional morality and religion as well as an attempt to establish them on new foundations, even the beginning of a moral renewal and a spiritual revival. The Enlightenment's critique of tradition was a necessary consequence of the fundamental modern principle that we humans are solely responsible for the course of history. Hence we can accept no belief, no authority, no institutions that are not in some way justified. This foundation, for better or for worse, determined the course of the following centuries. Despite contemporary reactions against it, the Enlightenment continues to shape our own time and still distinguishes Western culture from any other