Suchergebnisse

In a context of highly visible and politically influential populist movements, this study considers the online self-representation of the Tea Party Patriots (TPP) in the United States and the Party for Freedom (PVV) in the Netherlands. A multi-methodological approach was adopted to compare the discursive manifestation of key populism concepts: leadership characteristics, adversary definition and mobilizing information. Analyses reconstruct and account for similarities and differences in discursive framing strategies of 'double differentiation' through which both movements attempt inclusion in and exclusion from the political establishment, and, in doing so, mobilize communities of support. Altogether, this study advances the understanding of what constitutes 'unmediated' content that is presented through user-generated media production, and how self-determined media spaces have facilitated shifts in populist media legitimation and political representation in two politically unique countries.

This article aims to explain the widespread attention to contemporary protesting artists among Western audiences by focusing on the case of Pussy Riot. Social movement scholarship provides a first step into understanding how Pussy Riot legitimately protests Russian politics through its punk performances. It then turns to the concept of cosmopolitanism as a performance in everyday life to explain Pussy Riot's appeal among Western audiences. By collecting and analyzing 9001 tweets through a thematic hashtag analysis and topic modeling, this article analyzes how audiences talk about Pussy Riot and shows how Twitter affords users to perform cosmopolitan selves by sharing their ideas and experiences on Pussy Riot with others. Although we distinguish between four types of cosmopolitan selves, the results clearly show Pussy Riot is mainly reflected upon in a media context: Twitter users predominantly talk about Pussy Riot's media appearances rather than readily engage with its explicit political advocacy.