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The first dictionary dedicated to Quentin Meillassoux and the controversies surrounding his thoughtPerfect for philosophers just starting to read his work and for those looking to deepen their engagement, this dictionary defines all of the major terms of Meillassoux's work, prefaced by an introduction explaining his importance for the Continental philosophy scene.A–Z entries explain the influence of key figures, from Kant to Heidegger to Derrida, and define the complex terms that Meillassoux uses. The entries are written by the top scholars in the field of speculative realism, often by those that highlight their own disagreements with him. This is more than a dictionary; this is your invitation into one of the liveliest debates in current philosophy.Key FeaturesA–Z entries define Meillassoux's 75 most important concepts and themes combined with analysis of the key figures, fully cross-referencedSets out key criticisms of Meillassoux's work by prominent authors in the field, such as Adrian Johnston and Christopher NorrisProvides clear definitions for readers new to Meillassoux's workOffers avenues for further specialist research

Ever since the turn of the century aesthetics has steadily gained momentum as a central field of study across the disciplines. No longer sidelined, aesthetics has grown in confidence. While this recent development brings with it a return to the work of the canonical authors (most notably Baumgarten and Kant), some contemporary scholars reject the traditional focus on epistemology and theorize aesthetics in its ontological connotations. It is according to this shift that speculative realists have proclaimed aesthetics as "first philosophy" and as speculative in nature. With speculative realism aesthetics no longer necessarily implies human agents. This is in alignment with the general speculative realist framework for thinking all kinds of processes, entities, and objects as free from our all-pervasive anthropocentrism, which states, always, that everything is "for us." This special volume of Speculations explores the ramifications of what could be termed the new speculative aesthetics. In doing so, it stages a three-fold encounter: between aesthetics and speculation, between speculative realism and its (possible) precursors, and between speculative realism and art and literature

In this third volume of Speculations, a serial imprint created to explore post-continental philosophy and speculative realism, a wide range of topics are covered, from the philosophy of religion to psychoanalysis to the philosophy of science to gender studies, and in a wide variety of formats (articles, interviews, position pieces, translations, and review essays)

From the Editorial Introduction: "If the first volume of Speculations was enough of an explicit wager, a willing blind leap in the terra incognita of the publishing world, then this volume forces us to stop and evaluate the reasons for the journal's protracted existence. This is all the more important when we consider how the range of meanings of the term 'speculative realism' seems to be growing--with increasing numbers of thinkers situating themselves in its trail, or holding a somewhat cautious interest in it--while its e ective reference seems nowhere to be found. ..."

"With this special volume of Speculations, the editors wanted to challenge the contested term "speculative realism," offering scholars who have some involvement with it a space to voice their opinions of the network of ideas commonly associated with the name"--

In this third volume of Speculations, a serial imprint created to explore post-continental philosophy and speculative realism, a wide range of topics are covered, from the philosophy of religion to psychoanalysis to the philosophy of science to gender studies, and in a wide variety of formats (articles, interviews, position pieces, translations, and review essays).

From the Editorial Introduction: "Since I am convinced that nobody reads editorials I will keep my remarks brief. Putting together the inaugural issue of Speculations has been an unusual experience. It has depended on the collusion of fellow speculative types, the help of many anonymous reviewers, the endless patience of designer Thomas Gokey, and more hours than someone in the final year of their PhD should ever spend on a project. Looking over the final product I think it has all been worth it. This is the first journal dedicated to speculative realism and despite the obscurity of that term I think we all understand it as a handy label under which weird realists, continental metaphysicians, object oriented ontologists, transcendental realists, vitalists, and Lovecraftians can unite. This is also, perhaps, the first time a journal can boast that each contributor is also a blogger. This is the reason why Speculations could only ever be an online, open-access journal. …"