AbstractThis article is an investigation of ethno-commercial exchanges and interactions between Jews and Muslims of North African heritage that takes account of their cross-cultural antecedents and continuities. The ethnographic focus is a telecommunications company called M-Switch located in the Parisian neighborhood of le Sentier, the trajectory of which is part of a broader cultural and economic shift observable in the neighborhood from industry to new technologies. This particular company is a privileged site for witnessing how people work with and across religious differences between Maghrebi Jews and Muslims in France. The ethnography looks at how contemporary, non-nostalgic reconceptualizations of the past are utilized to negotiate an ethnically plural and potentially convivial present. Relationships within the company have a Maghrebi center made up of shared cultural memories, economic interdependency, and changing gender and class relations. More specifically, relationships between Jews and Muslims at M-Switch are often defined by a desire to re-appropriate and adapt a Maghrebi world. This project is complicated by French and geopolitical representations of ethno-religious conflict.
This Annual Review of the Sociology of Religion contributes cases of encounters, diversities and distances to an emerging Jewish-Muslim Studies field. The scholarly essays address both discourses about and lived experiences of minorities in contemporary French, German and UK cities. The authors explore how particular modes of governance and secularism shape individual and collective identities while new technologies re-make interfaith encounters. This volume shows that Middle Eastern and North African pasts and presents weigh on European realities, examines how the pull of Jewish intellectual history is felt by a new generation of Muslim scholars and activists, and uncovers how Orthodox communities negotiate living side by side
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This volume analyses Jewish-Muslim interactions across North Africa and France in the 20th and 21st centuries, through an examination of performance culture, across the genres of theatre, music, film, art, and stand-up. We explore influence and cooperation between Jewish and Muslim performers from Algeria, Tunisia, Morocco, and diaspora communities in France.
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"'Algeria: Nation, Culture and Transnationalism 1988–2015' offers new insights into contemporary Algeria. Drawing on a range of different approaches to the idea of Algeria and to its contemporary realities, the chapters in this volume serve to open up any discourse that would tie 'Algeria' to a fixed meaning or construct it in ways that neglect the weft and warp of everyday cultural production and political action. The configuration of these essays invites us to read contemporary cultural production in Algeria not as determined indices of a specific place and time (1988–2015) but as interrogations and explorations of that period and of the relationship between nation and culture. The intention of this volume is to offer historical moments, multiple contexts, hybrid forms, voices and experiences of the everyday that will prompt nuance in how we move between frames of enquiry. These chapters — written by specialists in Algerian history, politics, music, sport, youth cultures, literature, cultural associations and art — offer the granularity of microhistories, fieldwork interviews and studies of the marginal in order to break up a synthetic overview and offer keener insights into the ways in which the complexity of Algerian nation-building are culturally negotiated, public spaces are reclaimed, and Algeria reimagined through practices that draw upon the country's past and its transnational present." (Publisher's description)