Suchergebnisse

"This book is a study of the dual capital system of Ming dynasty China (1368-1644), with a focus on the administrative functions of the auxiliary Southern Capital, Nanjing. It argues that the immense geographical expanse of the Chinese empire and the poor communication infrastructure of pre-modern times necessitated the establishment of an additional capital administration for effective control of the Ming realm. The existence of the Southern Capital, which has been dismissed by scholars as redundant and insignificant, was, the author argues, justified by its ability to assist the primary Northern Capital better control the southern part of the imperial land. The practice of maintaining auxiliary capitals, where the bureaucratic structures of the primary capital were replicated in varying degrees, was a unique and valuable approach to effecting bureaucratic control over vast territory in pre-modern conditions. Nanjing translates into English as "Southern Capital" and Beijing as "Northern Capital""--

How does state censorship shape global creative production? To explore the merger of art and the state in a global context, I adopt a micro-sociological approach to examine the culture of censorship and reconceptualize censorship as an ongoing, social process. Based on participant observation within a global film studio and interviews with industry insiders in Beijing and Los Angeles, I investigate how global cultural producers navigate China's rigid film censorship system. My analysis reveals how China's state censors use multistage gatekeeping and intermediated censorship to infiltrate the creative process and exert global influence. I then show how informality transforms these organizational procedures into a relational process that is hard to trace. In this, studio executives and filmmakers are induced to engage in complicit creativity, seeking creative negotiations through working with, rather than against, the state; specifically, they practice concession, reconfiguration, and collusion. These processes anchor a culture of censorship characterized by the symbiotic relationship between censors and creators, epitomizing a dynamic dance between everyday state power and everyday resistance. This relational model of censorship provides useful analytic scaffolding, extending our knowledge of the inner workings and consequences of state intervention in the new global cultural economy.

Abstract
Qiu Jun (1421–1495) was an important Ming civil official who was also a prolific author. One of his works, the Daxue yanyi bu, devotes nineteen of its 160 chapters to military affairs. Qiu Jun puts particular emphasis on the importance of choosing the right commanders. The main body of this article consists of a translation of the passages from the Daxue yanyi bu dealing with rulers' selection and management of military commanders. Qiu Jun's opinions on the control and selection of generals are not always practicable, yet they shed considerable light on the Chinese state's strategies to control the military, civil-military relations, and the military examination system in imperial China.