Suchergebnisse

The 43rd UID conference, held in Genova, takes up the theme of 'Dialogues' as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with 'others', which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, "dialogue" as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title 'translated' into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.

The villages built during the Agrarian Reform in Sicily (1920-1950) represent a significant memory of the challenging effort, by the national and local government of reorganizing the century-old structure of Sicilian agriculture. Mainly at the state of ruin, many of them have never been inhabited or used due to economic and social reasons. For this reason, as the essay reveals, studies, and analyses which deals with their main characteristics cannot be separated by the interpretations of the historical and economic context. The village Schisìna is a complex of seven small hamlets built-in 1950 to accommodate families of peasants, who would have received given a small plot of land with which to realize up their own profitable business.However, at that time the lack of electricity and drinking water discouraged farmers from moving there, hence the village rapidly fall into ruin. The essay focuses on the analyses and studies carried on by a group of researcher and students which are preliminary to a possible project for the recovery of the village for new uses connected to touristic accommodation.Il borgo rurale di Schisìna a Francavilla di Sicilia. Processi di abbandono e analisi per il recupero I borghi realizzati con la riforma agraria in Sicilia rappresentano una realtà locale rilevante. Il villaggio Schisìna è un insieme di sette borghi costruiti nel 1950. Tutto l'insieme è stato pensato per ospitare delle comunità di contadini a cui doveva essere affidato un piccolo appezzamento di terreno col quale costituire una propria attività redditizia. A quel tempo, la mancanza di elettricità e acqua corrente scoraggiarono gli agricoltori a trasferirsi lì. Da allora, solo poche persone conoscono le rovine di queste architetture senza vita che costituiscono oramai un unicum nella dorsale montana che si affaccia sul mare Jonio nella provincia interna di Messina. Due registi italiani famosi hanno immortalato il villaggio Schisina: M. Antonioni, nel 1960, nel film L'Avventura, e R. Rossellini, nel 1967, nel documentario ...

The 43rd UID conference, held in Genova, takes up the theme of 'Dialogues' as practice and debate on many fundamental topics in our social life, especially in these complex and not yet resolved times. The city of Genova offers the opportunity to ponder on the value of comparison and on the possibilities for the community, naturally focused on the aspects that concern us, as professors, researchers, disseminators of knowledge, or on all the possibile meanings of the discipline of representation and its dialogue with 'others', which we have broadly catalogued in three macro areas: History, Semiotics, Science / Technology. Therefore, "dialogue" as a profitable exchange based on a common language, without which it is impossible to comprehend and understand one another; and the graphic sign that connotes the conference is the precise transcription of this concept: the title 'translated' into signs, derived from the visual alphabet designed for the visual identity of the UID since 2017. There are many topics which refer to three macro sessions: - Witnessing (signs and history) - Communicating (signs and semiotics) - Experimenting (signs and sciences) Thanks to the different points of view, an exceptional resource of our disciplinary area, we want to try to outline the prevailing theoretical-operational synergies, the collaborative lines of an instrumental nature, the recent updates of the repertoires of images that attest and nourish the relations among representation, history, semiotics, sciences.

[EN] Having lost their function of sighting as an instrument of strategic control, inclusion and protection from presumed pirate invasions, the coastal towers of Calabria Ultra, represented in the Diary of Wonders of the end of the sixteenth century, called Codice Romano Carratelli, will act as the key and device of the gaze that links the land to the expanse of water. A vast geometric, precise and linear system that will connect, through the gaze, the "terracqueo landscape", unstable and multiform, continuously changing. The ninety-nine watercolour maps of the Codice are an immense heritage of clues, traces, geometries and measurements on which to think in order to bring to the surface of the earth, military tactics that have become latent in history as a palimpsest. The use of ancient and modern techniques of survey and graphic representation, want to accompany the contemporary traveler to turn his gaze towards new strategies of "reception", rather than aversion of a silent landscape, where merge and mix. The "stratigraphies of the gaze" are sections perpendicular to the "horizontal plane" of a "living" landscape from which routes, artefacts, signs, traces, fragments of history can be distilled for a widespread cultural regeneration of the territory. The experimental character of this research, recounted in these pages, lies in the application of an innovative strategy of communication and information, based on the creation of cultural routes structured in museums, widespread or located on the coastal landscape of Calabria. ; Fatta, F.; Marraffa, A.; Patanè, C. (2020). Geometrie dello sguardo nel paesaggio calabrese. Editorial Universitat Politècnica de València. 899-906. https://doi.org/10.4995/FORTMED2020.2020.11543 ; OCS ; 899 ; 906