Paul Raffield: Shakespeare's Strangers and English Law
In: Pólemos: journal of law, literature and culture, Band 18, Heft 1, S. 193-200
ISSN: 2036-4601
16 Ergebnisse
Sortierung:
In: Pólemos: journal of law, literature and culture, Band 18, Heft 1, S. 193-200
ISSN: 2036-4601
In: Pólemos: journal of law, literature and culture, Band 17, Heft 1, S. 203-211
ISSN: 2036-4601
In: Pólemos: journal of law, literature and culture, Band 16, Heft 2, S. 293-318
ISSN: 2036-4601
Abstract
Susanne Collins' trilogy The Hunger Games presents a dystopian world grounded upon the power of images. The controlling government uses visual eloquence to determine and project an accepted conception of the real and of its subjects' identity which forcibly engenders normative commitment. Its main instrument in this sense is represented by "The Hunger Games", an annual event in which two tributes are selected in each of the 12 districts of Panem to compete in a brutal fight to death until one victor remains. This acts as a punishment and a memento for the huge uprising of the past which led to the retaliating destruction and elimination of District 13. Within this context, tributes Katniss Everdeen and Peeta Mellark engage in a visual and narrative counterposition against the government to reclaim the articulation of their identities and disrupting the created hyperreal dystopia of power.
In: Pólemos: journal of law, literature and culture, Band 15, Heft 2, S. 333-354
ISSN: 2036-4601
Abstract
Bram Stoker's Dracula presents an investigation of identity from multiple perspectives: the political stance of the Victorian fin de siècle intersects with questions of identity and their liminal articulation through narrative control. The count becomes a "thick" synecdoche for the East and his arrival to England symbolises a reverse political and cultural colonisation that leads to a new image of the individual, revealing the innermost recesses of Western culture.
In: Pólemos: journal of law, literature and culture, Band 14, Heft 2, S. 411-415
ISSN: 2036-4601
In: Pólemos: journal of law, literature and culture, Band 11, Heft 1
ISSN: 2036-4601
Abstract
Dystopias are speculative fictions with a close connection with the present condition and focus on the transformative potential of human agency. Paul Johnston's futuristic crime fiction
In: Pólemos: journal of law, literature and culture, Band 9, Heft 1
ISSN: 2036-4601
Abstractis one of Shakespeare's most forensic works; in particular, the trial scene of act 1 becomes the
In: Pólemos: journal of law, literature and culture, Band 8, Heft 1
ISSN: 2036-4601
In: Pólemos: journal of law, literature and culture, Band 7, Heft 2
ISSN: 2036-4601
In: Pólemos: journal of law, literature and culture, Band 7, Heft 1
ISSN: 2036-4601
In: Pólemos: journal of law, literature and culture, Band 6, Heft 1
ISSN: 2036-4601
In: Pólemos: journal of law, literature and culture, Band 14, Heft 1, S. 197-202
ISSN: 2036-4601
In: Law & literature volume 17
This volume investigates interdisciplinary intersections between law and the humanities from the Renaissance to the present day. It allows for fruitful encounters between different disciplines: from literature to science, from the visual arts to the post-human, from the postmodern novel's experimentation to most recent approaches towards the legal interpretation of literary texts. This productive dialogue fosters original perspectives in the interpretation of and reflection upon identity, justice, power and human rights and values, thus underlining the role of literature in the articulation of relevant cultural issues pertaining to specific periods.
In: Pólemos: journal of law, literature and culture, Band 6, Heft 2
ISSN: 2036-4601