Suchergebnisse

In this article, we use Hage's (2000) critique of White multiculturalism's orientalizing logic of ethnic enrichment as a lens to analyze the multicultural valorization through ethnic food of the Javastraat, the commercial artery of Amsterdam's Indische Buurt district. Stemming from a larger ethnographic study of gentrification in the area, the article provides evidence of how racial aesthetics have served as the central guiding principle in the transformation of the neighborhood from a dark space of grime, crime, and decay to the current space of hipness, coolness, and global culture. While being celebrated as a living example of multicultural society in the inner city, we argue that the area embodies a multicultural reality in which White, middle-class residents, and visitors are the prime occupiers of space and aesthetic organizing principle of the neighborhood's landscape.

The COVID-19 pandemic and subsequent lockdown has drastically transformed the urban topography and rhythms of the Dutch cities, both in the streets and when "seen from the window" (Lefebvre 1992/2004, 27). Windows and balconies, the liminal spaces where the private and public meet and depart, have become sites not only to "gaze from" but also to "gaze at". Teddy bears, children's drawings and letters, white T-shirts with red hearts hanging on/from the windows, as well as flags fluttering from balconies, all contributed to transforming this retracted border of cityness into a political space of communication. Similarly, the windows of commercial spaces have turned into message boards of unity and solidarity, with posters at once inviting customers to support local businesses and boosting feelings of locality...

The COVID-19 pandemic and subsequent lockdown has drastically transformed the urban topography and rhythms of the Dutch cities, both in the streets and when "seen from the window" (Lefebvre 1992/2004, 27). Windows and balconies, the liminal spaces where the private and public meet and depart, have become sites not only to "gaze from" but also to "gaze at". Teddy bears, children's drawings and letters, white T-shirts with red hearts hanging on/from the windows, as well as flags fluttering from balconies, all contributed to transforming this retracted border of cityness into a political space of communication. Similarly, the windows of commercial spaces have turned into message boards of unity and solidarity, with posters at once inviting customers to support local businesses and boosting feelings of locality.