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Cognitive Disability Aesthetics explores the invisibility of cognitive disability in theoretical, historical, social, and cultural contexts. Benjamin Fraser's cutting edge research and analysis signals a second-wave in disability studies that prioritizes cognition. Fraser expands upon previous research into physical disability representations and focuses on those disabilities that tend to be least visible in society (autism, Down syndrome, Alzheimer's disease, schizophrenia). Moving beyond established literary approaches analyzing prose representations of disability, the book explores how iconic and indexical modes of signification operate in visual texts. Taking on cognitive disability representations in a range of visual media (painting, cinema, and graphic novels), Fraser showcases the value of returning to impairment discourse. Cognitive Disability Aesthetics successfully reconfigures disability studies in the humanities and exposes the chasm that exists between Anglophone disability studies and disability studies in the Hispanic world.

Cognitive Disability Aesthetics explores the invisibility of cognitive disability in theoretical, historical, social, and cultural contexts. Benjamin Fraser's cutting edge research and analysis signals a second-wave in disability studies that prioritizes cognition. Fraser expands upon previous research into physical disability representations and focuses on those disabilities that tend to be least visible in society (autism, Down syndrome, Alzheimer's disease, schizophrenia). Moving beyond established literary approaches analyzing prose representations of disability, the book explores how iconic and indexical modes of signification operate in visual texts. Taking on cognitive disability representations in a range of visual media (painting, cinema, and graphic novels), Fraser showcases the value of returning to impairment discourse. Cognitive Disability Aesthetics successfully reconfigures disability studies in the humanities and exposes the chasm that exists between Anglophone disability studies and disability studies in the Hispanic world

Toward an Urban Cultural Studies is a call for a new interdisciplinary area of research and teaching. Blending Urban Studies and Cultural Studies, this book grounds readers in the extensive theory of the prolific French philosopher Henri Lefebvre. Appropriate for both beginners and specialists, the first half of this book builds from a general introduction to Lefebvre and his methodological contribution toward a focus on the concept of urban alienation and his underexplored theory of the work of art. The second half merges Lefebvrian urban thought with literary studies, film studies and popular music studies, successively, before turning to the videogame and the digital humanities. Benjamin Fraser's approach consistently emphasizes the interrelationship between cities, culture, and capital.

Disability Studies and Spanish Culture is the first book to apply the tenets of Disability Studies to the Spanish context. In particular, this work is an important corrective to existing cultural studies of disability in Spain that tend to largely ignore intellectual disabilities. Taking on the representation of Down syndrome, autism, alexia/agnosia as well as childhood disability, its chapters combine close readings of a number of Spanish cultural products (films, novels, the comic/graphic novel and the public exhibition) with a broader socio-cultural take on the state of disability in Spain. While researchers and students of cinema will be particularly interested in the book's detailed analyses of the formal aspects of the films, comics, and novels discussed, readers from backgrounds in history, political science and sociology will all be able to appreciate discussions of contemporary legislation, advocacy groups, cultural perceptions, models of social integration and more.

Introduction: Henri Lefebvre and the city -- Henri Lefebvre's life, work and influence -- Key Lefebvrian concepts: critique of static space; critique of modern urban planning; critique of knowledge; critique of alienation in everyday life, movement and method -- The birth of the modern urban critic: Larra vs. Mesonero Romanos -- The living city: from Cerdà to Martín-Santos -- Traversing the city, from Millás to Delgado Ruiz -- Visualizing the mediterranean, from Goytisolo to the videogame -- Conclusion

Cover -- TABLE OF CONTENTS -- INTRODUCTION: BERGSON(ISM) IN SPAIN -- PART I. THE SPANISH NOVEL -- 1. Pío Baroja: Medicine and Mysticism -- 2. Miguel de Unamuno: Against Abstract Philosophy -- 3. Juan Benet: Recalibrating Space and Time in Región -- 4. Belén Gopegui: Mental and Cartographic Space -- PART II. FILM STUDIES -- 5. From Bergson to Deleuze: Duration and Multiplicity in Two Spanish Films -- 6. Film as the Redemption of Reality: The Importance of Iconicity/Indexicality -- 7. Carlos Saura's Taxi: Reconciling Filmspace and Urban Space -- PART III. URBAN THEORY -- 8. From Bergson to Lefebvre: Toward a Philosophy of the Urban -- 9. Manuel Delgado Ruiz: Theorizing the Living City -- CONCLUSION -- APPENDIX: Bergson's addresses in Madrid at the Ateneo on May 2 and 6, 1916 -- REFERENCES -- INDEX -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z

As the Journal of Urban Cultural Studies (JUCS) closes its tenth year of publication, this second instalment of a two-part editorial turns towards questions regarding the nature of scholarly journals. Building from Part 1's exploration of comics artist Chris Ware's tactile puzzle Building Stories: Vortex of Anamnesis, the central metaphor of journal as an intellectual puzzle is considered. Specific aspects of time and collaboration are addressed as fundamental concerns for the puzzle of journal editing. After considering, in passing, challenges to editing in the twenty-first century, final comments address the notion of closure, drawn from comics theory.

As the Journal of Urban Cultural Studies enters its tenth year of publication, this first instalment of a two-part editorial turns towards questions of memory and urban life. The vehicle for thinking through these questions is the actual, tactile puzzle that comics artist Chris Ware released as an extension to his Building Stories box set. In the guise of a review-style piece, that is, a close reading of the puzzle as an urban comics text in its own right, this instalment indirectly introduces themes to be continued in the second editorial, due out later this year.

This interview documents a conversation between two scholars of space and comics. Benjamin Fraser asks Dominic Davies about his recently published book, titled Urban Comics. Conversation ranges from the author's experience connecting the medium of comics and graphic novels with various themes from the geographical and social sciences. Readers are introduced to the general arguments of the book, which are supported with specific quotations from selected chapters. A range of aesthetic and political concerns are discussed, as are various comics creators and their projects.

This short-form article reviews three texts by women comics artists published with publishing house Sexto Piso. María Luque's graphic novel, titled Casa transparente ('Transparent house') (2017), won the first Premio Novela Gráfica Ciudades Iberoamericanas (Ibero-American Cities Graphic Novel Prize) and captures her travels to Bariloche, Rosario, Buenos Aires, Cusco and Mexico City. The volume Las ciudades que somos ('The cities we are') (2018), authored by Chicks on Comics, won the second Premio Novela Gráfica Ciudades Iberoamericanas (Ibero-American Cities Graphic Novel Prize). It contains comics in Spanish by an international collective of seven creators from Argentina, Colombia, Holland, Latvia and Singapore (Bas, Caro Chinaski, Clara Lagos, Delius, Power Paola, Weng Pixin and Zane Zlemeša). The third text discussed is Power Paola's graphic novel Virus tropical (2018), a Künstlerroman or autobiographical portrait of the artist covering her adolescence and family connections to both Ecuador and Colombia.