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This case study of the Dutch residential capital of The Hague explores the relationship between nineteenth-century associational life and local politics, testing the well-known argument of scholars such as Robert Putnam, that high numbers and high levels of participation in local voluntary associations are often positively correlated with processes of local political democratization. A quantitative analysis of (double) membership in the city's most prominent social clubs and cultural associations, and a qualitative analysis of the political culture within these clubs, offer a better understanding regarding why the impact of a vibrant local associational culture on local democracy has not always been as positive as political scientists have often tended to assume.

Giving a detailed account of the social history of The Hague's most prominent sites of civilised leisure – the gentlemen's clubs, the zoo, the Royal Theatre and the seaside resort of Scheveningen – Plaatsen van beschaafd vertier demonstrates how the constant struggle for social in- and exclusion structured the daily lives of upper and middle class men and women in The Hague in the nineteenth century. In response to Bart Van de Putte, Jan Hein Furnée argues that extensive quantitative analyses of 'class' and 'social class' show that objective class stratifications based onwealth and/or occupation are important tools, but at most semi-finished products for historical research. Furnée fully agrees with Henk de Smaele's objection that his study would have benefitted from a more in-depth reflection on the ways in which shifting patterns in women's freedom of movement in urban spaces were related to their political and economic emancipation. In response to Dirk Jan Wolffram, Furnée repeats some examples given in his book that show how political practices in places of leisure impacted upon local and national politics, even though this didnot directly contribute to a linear process of increasing political participation and representation.Aan de hand van een gedetailleerde analyse van de sociale geschiedenis van herenen burgersociëteiten, de dierentuin, de Koninklijke Schouwburg en badplaats Scheveningen demonstreert Plaatsen van beschaafd vertier hoe de constante strijd om sociale in- en uitsluiting het dagelijks leven van mannen en vrouwen uit de hogere en middenstanden in negentiende-eeuws Den Haag beheerste. In reactie op Bart Van de Putte betoogt Jan Hein Furnée dat grondige kwantitatieve analyses van 'class' en 'social class' uitwijst dat objectieve sociale stratificaties op basis van welstand en/of beroep voor historisch onderzoek weliswaar zeer nuttig enzelfs noodzakelijk, maar uiteindelijk slechts een halffabrikaat kunnen zijn. Furnée geeft Henk de Smaele volledig gelijk dat zijn onderzoek zou hebben geprofiteerd van een meer diepgaande reflectie op de manier waarop verschuivingen in de ruimtelijke bewegingsvrijheid van vrouwen kunnen worden gerelateerd met politieke en economische emancipatie. In reactie op Dirk Jan Wolffram herneemt Furnée enkele voorbeelden uit zijn studie waaruit blijkt hoe politieke praktijken in plaatsen van vertier van invloed waren op de lokale en nationale politiek, zonder echter te resulteren in een lineair proces van toenemende politieke participatie enrepresentatie.

Giving a detailed account of the social history of The Hague's most prominent sites of civilised leisure – the gentlemen's clubs, the zoo, the Royal Theatre and the seaside resort of Scheveningen – Plaatsen van beschaafd vertier demonstrates how the constant struggle for social in- and exclusion structured the daily lives of upper and middle class men and women in The Hague in the nineteenth century. In response to Bart Van de Putte, Jan Hein Furnée argues that extensive quantitative analyses of 'class' and 'social class' show that objective class stratifications based on wealth and/or occupation are important tools, but at most semi-finished products for historical research. Furnée fully agrees with Henk de Smaele's objection that his study would have benefitted from a more in-depth reflection on the ways in which shifting patterns in women's freedom of movement in urban spaces were related to their political and economic emancipation. In response to Dirk Jan Wolffram, Furnée repeats some examples given in his book that show how political practices in places of leisure impacted upon local and national politics, even though this did not directly contribute to a linear process of increasing political participation and representation. This response is part of the discussion forum 'Plaatsen van beschaafd vertier' (Jan Hein Furnée).Aan de hand van een gedetailleerde analyse van de sociale geschiedenis van herenen burgersociëteiten, de dierentuin, de Koninklijke Schouwburg en badplaats Scheveningen demonstreert Plaatsen van beschaafd vertier hoe de constante strijd om sociale in- en uitsluiting het dagelijks leven van mannen en vrouwen uit de hogere en middenstanden in negentiende-eeuws Den Haag beheerste. In reactie op Bart Van de Putte betoogt Jan Hein Furnée dat grondige kwantitatieve analyses van 'class' en 'social class' uitwijst dat objectieve sociale stratificaties op basis van welstand en/of beroep voor historisch onderzoek weliswaar zeer nuttig en zelfs noodzakelijk, maar uiteindelijk slechts een halffabrikaat kunnen zijn. Furnée geeft Henk de Smaele volledig gelijk dat zijn onderzoek zou hebben geprofiteerd van een meer diepgaande reflectie op de manier waarop verschuivingen in de ruimtelijke bewegingsvrijheid van vrouwen kunnen worden gerelateerd met politieke en economische emancipatie. In reactie op Dirk Jan Wolffram herneemt Furnée enkele voorbeelden uit zijn studie waaruit blijkt hoe politieke praktijken in plaatsen van vertier van invloed waren op de lokale en nationale politiek, zonder echter te resulteren in een lineair proces van toenemende politieke participatie en representatie. Deze repliek maakt deel uit van het discussiedossier 'Plaatsen van beschaafd vertier' (Jan Hein Furnée).

ABSTRACT:In nineteenth-century The Hague, the French opera performances in the Royal Theatre were the most important occasions during the winter season at which men and women from almost all social ranks experienced a strong sense of social cohesion in a common leisure pursuit, albeit one in which social hierarchies were clearly demarcated. This article analyses the changing social composition of the opera audience through analysis of subscription and admission records, and evaluates the changing composition of the audience in relation to changes in taste, theatre architecture and policy. Although it was almost impossible to exploit financially and was also a constant object of political, musical and moral criticism, the French opera succeeded in maintaining its central position in The Hague's musical and social life throughout the nineteenth century.

Court-Capital or Commercial Centre? The Hague and the urban press, 1850-1860In the 18505, urban newspapers played a crucial role in defining the identity and future development of The Hague. Focusing on the increasing conflict between two divergent urban representations - the court-capital versus the commercial centre - Furnée argues in his article that newspapers have played a particularly important role both in the legitimating and in the contestation - and, eventually, in the transformation as well - of the strong class-hierarchy existing in this urban society. The Dagblad van 's-Gravenhage, the city-council's own newspaper, plainly supported the established urban system of the court-capital and Consolidated it both in the selection and the organization of its dreary messages. In the wake of the constitutional revolution of 1848, opinion papers such as the 's-Gravenhaagsche Nieuwsbode and the 's-Gravenhaagsch weekblad however, constructed, a new vision of The Hague as the 'third commercial centre' after Amsterdam and Rotterdam. In leading articles and letters to the editor, they not only asserted a dramatic revision of public policy, but also reflected and stimulated the formation of dealers, manufacturers, shopkeepers and artisans in their joint quest for increasing social status and political power.

A Cultural History of Leisure presents historians, and scholars and students of related fields, with the first comprehensive and interdisciplinary overview of the cultural history of leisure from ancient times to modernity. With six highly illustrated volumes covering 2,500 years, this is the definitive reference work on the subject, comprising:Volume 1: A Cultural History of Leisure in Antiquity (500BC-500AD)Volume 2: A Cultural History of Leisure in the Medieval Age (500-1450)Volume 3: A Cultural History of Leisure in the Renaissance (1450-1650)Volume 4: A Cultural History of Leisure in the Age of Enlightenment (1650-1800)Volume 5: A Cultural History of Leisure in the Age of Empire (1800-1920)Volume 6: A Cultural History of Leisure in the Modern Age (1920-2000+)Each volume adopts the same thematic structure, covering: the idea of leisure; the performing arts and their audiences; the cerebral arts and their publics; sports and games; holydays, holidays and tourism; the world of conviviality; the world of goods; the world of nature and representations of leisure, enabling readers to trace one theme throughout history, as well as gaining a thorough overview of each individual period.The complete 6-volume set comprises c.1,632 pages, 240 illustrations.Special introductory offer (valid up to 3 months after publication): £395 / $550 (full price: £440 / $610)The Cultural Histories SeriesA Cultural History of Leisure is part of the Cultural Histories Series. Titles are available both as printed hardcover sets for libraries needing just one subject or preferring a one-off purchase and tangible reference for their shelves, or as part of a fully searchable digital library available to institutions by annual subscription or on perpetual access (see bloomsburyculturalhistory.com)

"This volume brings together research on retailing and shopping and their embeddedness in urban space, themes that have attracted wide interest in recent decades. Addressing these themes over an era that bridges the early modern and modern period, the authors argue that the 'modernity' of the nineteenth century is often overemphasised, at the expense of recognising the continuities with the earlier period and the degree of innovation that took place before the onset of 'modernity'. This collection compares long-term developments in retail locations, retailing formats, regulation of shopping streets, and the cult of shopping for pleasure across a number of neighbouring countries and regions (Britain, France, Germany, Belgium and The Netherlands), and offers surprising new insights into the processes of cultural transfer, appropriation and exchange. "--

This volume brings together research on retailing and shopping and their embeddedness in urban space, themes that have attracted wide interest in recent decades. Addressing these themes over an era that bridges the early modern and modern period, the authors argue that the 'modernity' of the nineteenth century is often overemphasised, at the expense of recognising the continuities with the earlier period and the degree of innovation that took place before the onset of 'modernity'. This collection compares long-term developments in retail locations, retailing formats, regulation of shopping streets, and the cult of shopping for pleasure across a number of neighbouring countries and regions (Britain, France, Germany, Belgium and The Netherlands), and offers surprising new insights into the processes of cultural transfer, appropriation and exchange.