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In: Interventions: international journal of postcolonial studies, Band 25, Heft 5, S. 601-618
ISSN: 1469-929X
Dalit life narratives have gained prominence in the last two decades in line with the increasing visibility of Dalits in the Indian public sphere and their vociferous demands for a more just political and social order. This can be productively situated not just in the contemporary global context of the proliferation of narratives andtestimonios of human rights violations in other parts of the world, but also in the context of an emerging conversation on the nature of "Dalit personhood" in the Indian public sphere, a category infinitely more complex than legal subjectivity and abstract citizenship. The Dalit narratives analysed here are rich illustrations of this double movement: They witness on behalf of a suffering community and keep alive the singular, non-universal nature of Dalit pain through an aesthetic that is not wholly translatable into the lexicon of rights and justice. By invoking the historical and rhetorical force of two prose fictional genres, the Bildungsromanand the picaresque, the analysis has sought to recast the testimonio less as a proxy for the legal witnessing and amelioration of Dalit pain than as a rich and expressive medium of Dalit personhood. This way of reading Dalit lives accords India's ex-untouchables a stature beyond that of victims at the mercy of the capricious sentimentality of upper-caste solidarity.
BASE
Dalit life narratives have gained prominence in the last two decades in line with the increasing visibility of Dalits in the Indian public sphere and their vociferous demands for a more just political and social order. This can be productively situated not just in the contemporary global context of the proliferation of narratives andtestimonios of human rights violations in other parts of the world, but also in the context of an emerging conversation on the nature of "Dalit personhood" in the Indian public sphere, a category infinitely more complex than legal subjectivity and abstract citizenship. The Dalit narratives analysed here are rich illustrations of this double movement: They witness on behalf of a suffering community and keep alive the singular, non-universal nature of Dalit pain through an aesthetic that is not wholly translatable into the lexicon of rights and justice. By invoking the historical and rhetorical force of two prose fictional genres, the Bildungsromanand the picaresque, the analysis has sought to recast the testimonio less as a proxy for the legal witnessing and amelioration of Dalit pain than as a rich and expressive medium of Dalit personhood. This way of reading Dalit lives accords India's ex-untouchables a stature beyond that of victims at the mercy of the capricious sentimentality of upper-caste solidarity.
BASE
In: Angelaki: journal of the theoretical humanities, Band 16, Heft 4, S. 145-158
ISSN: 1469-2899
In: Asian studies review, Band 33, Heft 4, S. 429-442
ISSN: 1467-8403
In: Routledge studies in the modern history of Asia 46
Through interdisciplinary research, key Gandhian concepts are revisited by tracing their genealogies in multiple histories of world contact and by foregrounding their relevance to contemporary struggles to regain the 'humane' in the midst of global conflict
In: Routledge studies in the modern history of Asia, 46
Through interdisciplinary research, key Gandhian concepts are revisited by tracing their genealogies in multiple histories of world contact and by foregrounding their relevance to contemporary struggles to regain the?humane? in the midst of global conflict.
In: https://dspace.library.uu.nl/handle/1874/414998
This chapter addresses the dynamics of world literature from a postcolonial angle, integrating the role of the cultural industry in the dynamics of literature across borders. It focuses on the role of texts in reshaping cosmopolitan imaginaries, accounting for the tension between commercialization and the politics of resistance. In particular, the chapter addresses the role of digital technologies in articulating the worldliness of literature not just through circulation and reception but also through new narrative strategies and tropes that open up new scenarios for thinking and imagining migration beyond the limits of borders and geography. It takes as case studies Chimamanda Adichie's Americanah (2013), in which blogging is used as a form of advocacy, Hamid Mohsin's Exit/West, which introduces the expedient of magic doors as portals to overcome the sense of stuckness of migration, and the poems of Warson Shire, who emerges as a prominent new Instapoet capable of cutting across audiences, generations and media platforms.
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In: Angelaki: journal of the theoretical humanities, Band 16, Heft 4, S. 1-4
ISSN: 1469-2899
In: Australian feminist studies, Band 26, Heft 69, S. 369-385
ISSN: 1465-3303