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International audience ; This paper explores the territoriality of the Trans-Arabian Pipeline (Tapline), a cross-border pipeline that carries Aramco crude from the wells of its sister concession in eastern Saudi Arabia to the Mediterranean. Through the case study of Tapline, I argue that territorial organization is a necessary force of production for international concessionary enterprises. Given that the flow of oil depended on the continuity of the Aramco operation, the pipeline company was committed to negotiating the interests the sister-oil concession and those of the producing state. As the northern boundaries of the sister Aramco concession corresponded with that of the Kingdom of Saudi Arabia, Tapline's convention agreement with Saudi Arabia extended infrastructural provisions in relation to the Kingdom's aspirations to settle its tribal population and secure its northern boundary. The pipeline's large-scale technological system materialized thus a territory with its qualities and frictions opening in its turn a space that could be incorporated into forms of political rationalities.

In the Age of Environment, the scale of waste management is geographic all while often relegating such undesired matter to invisibility as "matter out of place." Geographies of Trash reclaims the role of forms, technologies, economies and logistics of the waste system in the production of new aesthetics and politics of urbanism. Honored with a 2014 ACSA Faculty Design Award, the book charts the geographies of trash in Michigan across scales to propose five speculative projects that bring to visibility disciplinary controversies on the relations of technology, space and politics

The term "geoengineering" refers to technologies that counteract the effects of anthropogenic climate change by deliberately intervening in Earth systems. In the midst of a climate crisis, and with disparate views on whether planetary-scale design is the appropriate response at all, The Planet After Geoengineering employs a speculative fiction approach to think with and against geoengineering as a form of planetary management. The graphic novel makes climate engineering and its controversies visible in a series of five stories that are collectively assembled into a planetary section from the deep underground to outer space. Each geostory - Petrified Carbon, Arctic Albedo, Sky River, Sulfur Storm, and Dust Cloud - depicts possible future Earths that we come to inhabit on the heels of a geoengineering intervention all while situating such promisory visions within a genealogy of climate-control projects from nineteenth-century rainmaking machines and volcanic eruptions to Cold War military plans. Such fabrications of an engineerable earth open a space to forge a new geo-politics that includes the actual Earth - its dimensions, processes, and lifeforms - as constitutive of design and the planet

Studies how oil has shaped the societies and cultures of the modern and contemporary Middle EastProposes a new research agenda for the study of oil's varied lives in the modern and contemporary Middle EastIncludes 13 case studies, including 2 photo essays by leading artists and designersTakes a thematic approach to promote interdisciplinary thinkingPresents contributions from leading historians and anthropologists, world-renown artists, curators and designers, and younger scholars who are developing an outstanding research portfolio on oilThis volume explores the ways petroleum as an industry and substance has moulded the social, cultural and artistic life of the Middle East. Rather than tackle the powers of this crucial resource from the perspective of macro-economics, impersonal rentier states and large corporations, this book 'brings oil back' into the ebbs and flows of Middle Eastern life. It focuses on the ways petroleum mediates and is mediated by national formations and imaginaries, visual practices, as well as scientific, business and artistic production. In focusing on the largest oil producing and exporting region in the world, this volume sheds light on the effects and affects of petroleum's presence within and beyond the oil-industry.Part 1 – Exposing Oil sets out the main themes through which oil is analysed in the volume (visibility, experience, representation and mediation). Part 2 – Oil Images deals with image making by the oil industry (as graphs, aerial photographs and promotional media) and by artists and designers who have engaged with, and commented on, oil's presence in the region. Part 3 – Oil Subjects focuses on the production of (oil) subjecthood and the formation of oil knowledge