Introduction -- The feminist distance: space in Jane Campion's The piano -- Claire Denis and the flow of time: Beau travail -- Time and difference: love in Claire Denis' Trouble every day -- Lucrecia Martel and the curious body in The holy girl -- Conclusion
Frontmatter --CONTENTS --Fine Print: A Foreword /Fischel, Joseph J. --Introduction: The Subject of Consent /Greenblatt, Jordana / Valens, Keja --Part I: Consent, Power, and Agency --1. Consent, Command, Confession /MacKendrick, Karmen --2. The Gender of Consent in Patmore, Hopkins, and Marie Lataste /Paxton, Amanda --3. Consensual Sex, Consensual Text: Law, Literature, and the Production of the Consenting Subject /Greenblatt, Jordana --4. Consent and the Limits of Abuse in Their Eyes Were Watching God and "Ain't Nobody's Business If I Do" /Valens, Keja --Part II: Consent, Violence, and Refusal --5. The Seduction of Rape as Allegory in Postcolonial Literature /Leach, Justine --6. Willful Creatures: Consent, Discord, Animal Will, and Thomas Hardy's Tess of the d'Urbervilles /O'Donnell, Kimberly --7. Consenting to Read: Trigger Warnings and Textual Violence /Martin, Brian --8. Ambivalent Desires: Blue Is the Warmest Color, Luce Irigaray, and the Question of Consent /Godart, Caroline --Part III: Consent, Personhood, and Property --9. The Art of Consent /Belsky, Drew Danielle --10. Sardanapalus's Hoard: Queer Possession in Henry James's The Aspern Papers /Pfeifer, Annie --11. Queering and Quartering Informed Consent: Genomic Medicine and Hyperreal Subjectivity /Potts, Graham --12. Vulnerabilities: Consent with Pfizer, Marx, and Hobbes /Rudolf, Matthias --13. "I Never Heard Anything So Monstrous!": Developmental Psychology, Narrative Form, and the Age of Consent in What Maisie Knew /Olwell, Victoria --Notes on Contributors --Index
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