Suchergebnisse

When Ibsen was first introduced to the audience, few might have thought that a new wit is coming up in the world theatre. His plays soon started to touch sharp social topics stigmatizing the political values of the leading class. This article analyzes the aspects that Ibsen's plays more often offered to the reader and to the audience: the socio-political ones. The plays taken into consideration are the most notable of the playwright, A Doll's House, Ghosts, Pillars of Society. The socio-political aspect in these plays is clearer and marks the starting point of a new epoch in which the writers began bringing to light real problems to the real world.The reader or the audience becomes a witness of the moral intrigue development; of the farce identity; where the high building of lies slowly begins to fall apart like a card-house. This article brings to comparison the main characters of these plays, the Ladies, respectively Mrs. Helmer, Mrs. Alving and Mrs. Bernick, which might have not been considered as the protagonists, but surely their position in the plays has been crucial in the tide of the events and in our analysis of the social and political aspect of Ibsen's plays. DOI:10.5901/mjss.2013.v4n11p676

Abstract
This article tries to give a vivid frame of the historical background of the development of figurative art in both sides of Albanian boarders, thus that of Kosovo and Albania, as a unique belonging of the same national features. It is represented through a historical and theoretical background so that to show the roots and the layers of the development of art in Europe, which is in all senses the impact Albanian art, but not only has taken from. Pure and concrete examples of Albanian painters of the very first generation and as an inspiration to what follows later, are given to demonstrate the will and need of Albanian society to cultivate artistic tastes.