Suchergebnisse

El libro recupera un gran desconocido de la España contemporánea: el exilio republicano en Argelia. Para dar a conocer la odisea de estos 15.000 exiliados, este estudio propone un viaje a través de las escrituras del yo de los que la vivieron en primera persona. En este recorrido, que abarca desde 1939, con el análisis de los diarios redactados en los campos de concentración en los que se vieron internados, hasta 2016, haciendo lo propio con las memorias de los –entonces– niños del exilio, se examinan las articulaciones identitarias de los autores en su llamamiento a que (les) recordemos (y) que "escriben, luego son"

NO-DO is the official name of the Spanish state newsreels, an acronym formed by the abbreviation of Noticiarios (News) and Documentales (Documentaries). In contrast to cinema newsreels in other occidental countries, NO-DO is closely associated with Franco's dictatorship (1939–1975). Created by Franco's propaganda ministry in 1943, NO-DO reels were shown until 1981, just a few years after Franco's death in 1975. The aim of this paper is to analyze Spanish newsreels' modes of representation of politics and of political alterity in Mouffe's sense. It seeks to examine how NO-DO portrays the political antagonism that facilitated the Francoist regime's construction of its own identity. In order to do so, the paper firsts draw a genealogy of this genre in Spain and frames it within the context of 1968. Second, it presents an overview of the contents and the modes of representations of the newsreels during this year, later focusing on the timeframe from May to August. The goal is to examine the medial strategies used by the newsreel genre to deal with political Others lurking within and beyond Spain's borders.

Abstract
This article focuses on representative digital platforms created and coordinated by African and Afro-descendant people from Spain and Portugal. It argues that, by sharing and articulating mutual narratives online, these platforms act as spaces where Afro-diasporic communities are being imagined. To that effect, this paper not only builds on theoretical reflections on how Blackness and Afrodescendance are conceptualised on the internet. Adopting a cultural studies' approach that offers an interpretation of selected posts, it deduces the main narratives displayed and the diverse identificational spaces intertwined in those narratives. In doing so, the paper shows that these platforms challenge biased perspectives on Afro-diasporic communities and, within the digital space, conceptualise alternative, decentred—national and transnational—communities of Afro-diasporic people that are based on shared experiences of displacement, exclusion, resistance and self-empowerment.

Frontmatter --Índice --Introducción: emociones y desplazamientos históricos, viajes y migraciones en el mundo hispano en el punto de mira --Parte I: Anhelar un hogar: las secuelas emocionales de los desplazamientos históricos --Imaginar un hogar: desplazamiento psicológico y su relación con la imaginación en tres obras de Gloria Anzaldúa --Activismo estético afrodescendiente en Colombia: emociones y desplazamiento en videoblogs de Youtube --Rise and Fall of the Spanish Colonial Dream in Africa: Former Civilian Colonists' Emotions and their Gendered Experiences Facing African Voices --Parte II: Viajar: las emociones en los relatos de viaje --Relatos de viaje a la URSS y giro emocional: César Vallejo y Rafael Alberti --Emociones ante un continente en ruinas: la Europa posbélica de Manuel Mujica Lainez en la crónica de viajes latinoamericana --Parte III: Migrar: las emociones en diferentes medios contemporáneos --The Basic Emotions of Disadvantaged Immigrant Subjects: A Case Study --Apatía social y mal de amores: la relación emocional entre amor y migración en Paseador de perros (2008) de Sergio Galarza y Entre el cielo y el suelo (2008) de Lorenzo Helguero --Melodrama y mitología: imágenes de la migración en Guten Tag, Ramón y Señales que precederán al fin del mundo --Cartas desde la niebla --"No nos vamos, nos echan": análisis de relatos autobiográficos del Rincón Migrante --Sobre los autores