Suchergebnisse

The contrast between the positive perception and reception of Jean Baudrillard in the English-speaking world and his doubtful reputation in France was thrown into relief by his recent death and the responses it produced, highlighting some interesting cultural and intellectual differences. The French resistance to his theories is not merely traditionalist academic wariness of cross-disciplinary thought but also stems from more ideological considerations. His complicity with a postmodern worldview and his cynical celebration of the immanence of the information order seems to grate on a society in which many intellectuals are still committed to some form of transcendence, albeit relative, and refuse to accept that power and politics no longer signify.

International audience ; Anthropomorphic robots have become increasingly important in contemporary society as shown by the recent adoption of "Civil law rules on robotics" by the European Parliament on February 16, 2017 calling for a definition of smart robots based on: the acquisition of autonomy through sensors and/or by exchanging data with its environment (inter-connectivity) and the trading and analysing of those data; selflearning from experience and by interaction (optional criterion); at least a minor physical support, the adaptation of its behaviour and actions to the environment; absence of life in the biological sense. ; La robotique anthropomorphe prend de plus en plus de place dans notre quotidien. Le photographe et chirurgien Max Aguilera-Hellweg a photographié ces objets dont la forme ressemble étrangement à celle du corps humain. Pourquoi le photographe a-t-il choisi de renoncer au corps humain pour se tourner vers son simulacre ? Que possède le robot que le corps humain ne possèderait pas ? Quel intérêt y-a-t-il à photographier des objets qui ressemblent à des êtres humains ? Voici les interrogations qui guideront notre analyse du travail de Max Aguilera-Hellweg.

International audience ; Anthropomorphic robots have become increasingly important in contemporary society as shown by the recent adoption of "Civil law rules on robotics" by the European Parliament on February 16, 2017 calling for a definition of smart robots based on: the acquisition of autonomy through sensors and/or by exchanging data with its environment (inter-connectivity) and the trading and analysing of those data; selflearning from experience and by interaction (optional criterion); at least a minor physical support, the adaptation of its behaviour and actions to the environment; absence of life in the biological sense. ; La robotique anthropomorphe prend de plus en plus de place dans notre quotidien. Le photographe et chirurgien Max Aguilera-Hellweg a photographié ces objets dont la forme ressemble étrangement à celle du corps humain. Pourquoi le photographe a-t-il choisi de renoncer au corps humain pour se tourner vers son simulacre ? Que possède le robot que le corps humain ne possèderait pas ? Quel intérêt y-a-t-il à photographier des objets qui ressemblent à des êtres humains ? Voici les interrogations qui guideront notre analyse du travail de Max Aguilera-Hellweg.

International audience ; Anthropomorphic robots have become increasingly important in contemporary society as shown by the recent adoption of "Civil law rules on robotics" by the European Parliament on February 16, 2017 calling for a definition of smart robots based on: the acquisition of autonomy through sensors and/or by exchanging data with its environment (inter-connectivity) and the trading and analysing of those data; selflearning from experience and by interaction (optional criterion); at least a minor physical support, the adaptation of its behaviour and actions to the environment; absence of life in the biological sense. ; La robotique anthropomorphe prend de plus en plus de place dans notre quotidien. Le photographe et chirurgien Max Aguilera-Hellweg a photographié ces objets dont la forme ressemble étrangement à celle du corps humain. Pourquoi le photographe a-t-il choisi de renoncer au corps humain pour se tourner vers son simulacre ? Que possède le robot que le corps humain ne possèderait pas ? Quel intérêt y-a-t-il à photographier des objets qui ressemblent à des êtres humains ? Voici les interrogations qui guideront notre analyse du travail de Max Aguilera-Hellweg.