Suchergebnisse

U ovome radu želimo ukazati na korijene Moltmannove »nove političke teologije« koje je izgradio uz J. B. Metza krajem 1960-ih i početkom 1970-ih godina s posebnim naglaskom na značenje križa u političkom i društvenom angažmanu kršćanskih vjerskih zajednica i vjernika. Moltmannova koncepcija »nove političke teologije« u velikoj se mjeri oslanja na poimanje smrti Boga koje crpi kako iz povijesti Isusa iz Nazareta, tako i iz Hegelova razumijevanja spekulativnog Velikog petka. Postavljajući veliki naglasak na smrt Boga, Moltmann je u mogućnosti križ postaviti kao radikalnu kritiku bilo kakvih obogotvorenja kolektivnih identiteta koje nameće društvo, politika i religija, pri čemu revolucionarnost križa vidi u neprestanoj kritici tih identiteta. ; In this paper, we want to point to the roots of Moltmann's "new political theology" which he initiated along with J. B. Metz at the end of the 1960s and the beginning of 1970s, with special emphasis on the meaning of the cross in the political and societal engagement of Christian communities and believers. Moltmann's conception of "new political theology" is mainly relying on his conception of the death of God which he draws from the history of Jesus of Nazareth, but from Hegel's understanding of the speculative Good Friday as well. Mainly emphasising the death of God, Moltmann was able to posit the cross as a radical critique of the divinization of collective identities that the society, politics and religion push forward. Along those lines, he sees the revolutionary potential of the cross in the critique of these identities.

"This book opens a new research field in Balkan contextual theology. By embracing culturally rich traditions of the Western Balkans as its starting point, it explores their existential and theological bearings. Placed at the crossroads of civilizations and religions, this region has witnessed some of the worst atrocities of the 20th century. At the same time, it has produced unique textures of inter-cultural life. The volume addresses some of the most poignant phenomena endemic to the region, such as sevdalinka music, intimate forms of neighborhood, archetypes of 'sacred warriors,' the experience of democratic jet lag, collective melancholy, and intergenerational trauma. As the first book of this nature, it aims to encourage further development of contextual theological thinking in the region and promote its international reception"--