From climate catastrophes to sudden wars, the world faces conflicts of unprecedented scale. Yet around the globe, Indigenous leaders continue to move forward with determination and hope. Leaders demand change, resisting the destruction of the environment and suggesting solutions to today's global crisis. Age-old practices are experiencing a cultural revival and the lessons call for all of us to walk alongside Indigenous peoples. In the face of crisis and the progress of technology, this book shows how to stand with Indigenous peoples through uncertainty and chaos. How to stand with Indigenous peoples is about how to listen, how to walk together and how to act
From climate catastrophes to sudden wars, the world faces conflicts of unprecedented scale. Yet around the globe, Indigenous leaders continue to move forward with determination and hope. Leaders demand change, resisting the destruction of the environment and suggesting solutions to todays global crisis. Age-old practices are experiencing a cultural revival and the lessons call for all of us to walk alongside Indigenous peoples. In the face of crisis and the progress of technology, this book shows how to stand with Indigenous peoples through uncertainty and chaos. How to stand with Indigenous peoples is about how to listen, how to walk together and how to act. Olivia Guntarik teaches in the Music Industry program at RMIT University in Melbourne Australia. A creative writer of non-fiction, fictocriticism and ethnographic narrative, her writing emanates from and within struggles for social justice and human rights. A descendent of the Dusun-Murut hilltribes of Borneo, her traditional and ancestral homelands stretch from her birthplace in the interior plains of Tenom to the foothills of Mount Kinabalu and the river Kiulu, her grandmothers country. Olivias fieldwork encompasses Australia and the wider Asia Pacific region, and includes creating digital stories shared through oral histories, song and sound walks with First Nations storytellers.
Narrative analysis has emerged as a central analytical force in furthering a critique of colonial discourse. This article examines the relationship between narrative and discourse, by offering a comparative analysis of indigenous narrative, in the context of Australian and Malaysian history and contemporary museum practices of representation. I argue that indigenous knowledge is underpinned by narratives that enable a radical reconceptualization of existing epistemological and philosophical practices to viewing the world. This knowledge reflects various narratives of resistance about indigeneity that challenge traditional understandings of difference, revealing the ways indigenous people make sense of the past and construct their own narratives. My intention is to explore the tensions of place, space and memory through a reflection on indigenous resistance narratives. I examine different knowledges of place and "country", suggesting there are parallels between indigenous people's cultural knowledge in Australia and indigenous people's knowledge in Malaysia. Western preoccupations continue to ignore this cultural knowledge and, in doing so, they eclipse broader awareness about issues of significance for indigenous communities.
Traditionally marginalized groups now have more access to new and unconventional means to participate in politics, transforming the media ecologies of existing political environments. Contemporary feminist scholarship has centered on how women use new media technologies to serve political agendas. However, this literature focuses predominately on women in the West, while women in developing countries, or Asia more generally, have been largely excluded from analysis. This article aims to fill in this gap by examining Thai women's online activities during the 2013/2014 Bangkok political protests. Specifically, we ask how the rise of social and digital media has altered what it means to participate politically in the context of Thai women's present-day political experience. To answer this question we looked at how women resorted to various digital and social media to discuss women's rights and political issues, including Yingluck Shinawatra's political leadership as Thailand's first female prime minister (2011-2014). Moving beyond traditional notions of participation, we argue that there is a need to recognize the emerging dynamics of women's online engagement in the political landscape of Thailand. In the context of a totalitarian state, speaking out against the ruling authority online embodies an additional layer of citizen resistance, a feature of digital life that is often taken for granted in Western democracies. (ASEAS/GIGA)
Traditionally marginalized groups now have more access to new and unconventional means to participate in politics, transforming the media ecologies of existing political environments. Contemporary feminist scholarship has centered on how women use new media technologies to serve political agendas. However, this literature focuses predominately on women in the West, while women in developing countries, or Asia more generally, have been largely excluded from analysis. This article aims to fill in this gap by examining Thai women's online activities during the 2013/2014 Bangkok political protests. Specifically, we ask how the rise of social and digital media has altered what it means to participate politically in the context of Thai women's present-day political experience. To answer this question we looked at how women resorted to various digital and social media to discuss women's rights and political issues, including Yingluck Shinawatra's political leadership as Thailand's first female prime minister (2011-2014). Moving beyond traditional notions of participation, we argue that there is a need to recognize the emerging dynamics of women's online engagement in the political landscape of Thailand. In the context of a totalitarian state, speaking out against the ruling authority online embodies an additional layer of citizen resistance, a feature of digital life that is often taken for granted in Western democracies.
Abstract This article is about resettled Afghan Hazaras in Australia, many of whom are currently undergoing a complex process of transition (from transience into a more stable position) for the first time in their lives. Despite their permanent residency status, we show how resettlement can be a challenging transitional experience. For these new migrants, we argue that developing a sense of belonging during the transition period is a critical rite of passage in the context of their political and cultural identity. A study of forced migrants such as these, moving out of one transient experience into another transitional period (albeit one that holds greater promise and permanence) poses a unique intellectual challenge. New understandings about the ongoing, unpredictable consequences of 'transience' for refugee communities is crucial as we discover what might be necessary, as social support structures, to facilitate the process of transition into a distinctly new environment. The article is based on a doctoral ethnographic study of 30 resettled Afghan Hazara living in the region of Dandenong in Melbourne, Australia. Here, we include four of these participants' reflections of transition during different phases of their resettlement. These reflections were particularly revealing of the ways in which some migrants deal with change and acquire a sense of belonging to the community. Taking a historical view, and drawing on Bourdieu's notion of symbolic social capital to highlight themes in individual experiences of belonging, we show how some new migrants adjust and learn to 'embody' their place in the new country. Symbolic social capital illuminates how people access and use resources such as social networks as tools of empowerment, reflecting how Hazara post-arrival experiences are tied to complex power relations in their everyday social interactions and in their life trajectories as people in transition. We learned that such tools can facilitate the formation of Hazara migrant identities and are closely tied to their civic community participation, English language development, and orientation in, as well as comprehension of local cultural knowledge and place. This kind of theorization allows refugee, post-refugee and recent migrant narratives to be viewed not merely as static expressions of loss, trauma or damage, but rather as individual experiences of survival, adaptation and upward mobility.
"This timely collection of essays examines the growth of digital activism, including how international activists have employed technological innovations to tackle global problems"--
With the rise of pervasive games in the last two decades, peaking with Pokémon GO, questions surrounding the perceptions, use, and ownership of public space have rapidly emerged. Beyond commercial and public uses of city spaces, how are such experiences attentive to local, regional, cross-cultural, ancient, and persistent notions of place? How can locative and pervasive experiences respond to local and Indigenous understandings of place? Perhaps most decisively, what is the compatibility of ancient and Indigenous stories of sustainability set within rapidly obsolete frameworks of the latest mobile devices? In considering these questions, this article reviews the current literature on Indigenous pervasive games and discusses an augmented reality audio-game that features Australian First Nations' stories of land, river, and sky. Players of the game are transformed into wayfarers as they move across the landscape to uncover alternate and pre-settlement cartographies bringing new insights to familiar territory.
Looking at the cultural responses to death and dying, this collection explores the emotional aspects that death provokes in humans, whether it is disgust, fear, awe, sadness, anger, or even joy. Whereas most studies of death and dying treat the subject from an objective viewpoint, the scholars in this collection recognize their inherent connection with death which allows for a new and more personal form of study. More broadly, this collection suggests a new paradigm in the study of death and dying
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