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The article does not present a summary. ; El artículo no presenta resumen.

El artículo no presenta resumen.

The author applies to literary texts some of the parameters used in reference to questions of perspective in the visual arts. Disagreeing with Erwin Panofsky, who considers perspective a "symbolic form," the author sees it as a device of utterance and thus a generator of signs susceptible to semiotic study. Unlike many scholars, the author believes not that the enunciator's perspective is transferred onto the work, but that the perspective of the work is imposed on the enunciator. The perspective of each genre situates the enunciator in a specific place in relation to the world and shapes him or her differentially as subject.

"It offers an ethnographic approach to contemporary Amerindian emotions, a winding route that goes from the relationship between perception and affection to class actions, political, cultural recognition, through the study of their rituals and social contexts in general, besides attending in all cases, the link between emotion and textual rhetoric" --Google