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What happens to a composer when persecution and exile means their true music no longer has an audience? In the 1930s, composers and musicians began to flee Hitler's Germany to make new lives across the globe. The process of exile was complex: although some of their works were celebrated, these composers had lost their familiar cultures and were forced to navigate xenophobia as well as entirely different creative terrain. Others, far less fortunate, were in a kind of internal exile-composing under a ruthless dictatorship or in concentration camps and ghettos. Michael Haas sensitively records the experiences of this musical diaspora. Torn between cultures and traditions, these composers produced music that synthesized old and new worlds, some becoming core portions of today's repertoire, some relegated to the desk drawer. Encompassing the musicians interned as enemy aliens in the United Kingdom, the brilliant Hollywood compositions of Erich Wolfgang Korngold, and the Brecht-inspired theater music of Kurt Weill, Haas shows how these musicians shaped the twentieth-century soundscape-and offers a moving record of the incalculable effects of war on culture.

Why did Washington fail in handling the coronavirus pandemic, from the Trump White House and federal government to the role of state governments, and the severe impact upon the American people? This book examines the critical importance of the clash between politicians and scientists in failing to adequately address the encroaching pandemic.

Democracy is in crisis because voices of the people are ignored due to a politics of mass society. After demonstrating how the French Fourth Republic failed, wherein Singapore's totalitarianism is a dangerous model, Washington is enmeshed in gridlock, and there is a global democracy deficit, solutions are offered to revitalize democracy as the best form of government. The book demonstrates how mass society politics operates, with intermediate institutions of civil society (media, pressure groups, political parties) no longer transmitting the will of the people to government but instead are concerned with corporate interests and have developed oligarchical mindsets. Rather than micro-remedy bandaids, the author focuses on the need to transform governing philosophies from pragmatic to humanistic solutions. Michael Haas is a Nobel Peace Prize Nominee and political scientist who has taught at several universities--London, Northwestern, Purdue, the University of California (Riverside), the University of Hawaiʻi, and multiple campuses of California State University. The author of more than 50 books, including Asian and Pacific Cooperation, International Relations Theory, and Political Science Revitalized, he now gives public lecturers around the world.--

This book argues against the traditional understanding of international relations through the study of ideology and introduces four new major paradigms in the study of international relations theory: Marxian, mass society, community building, and rational choice

This book explains how racist rule ended in Hawai'i through innovative reforms including cultural transformation, adoption of social market capitalism, environmental reforms, affirmative action, and recognition of the rights of indigenous Native Hawaiians. The book explores how developments in Hawai'i can be enacted in other states and countries.

With National Socialism's arrival in Germany in 1933, Jews dominated music more than virtually any other sector, making it the most important cultural front in the Nazi fight for German identity. This groundbreaking book looks at the Jewish composers and musicians banned by the Third Reich and the consequences for music throughout the rest of the twentieth century. Because Jewish musicians and composers were, by 1933, the principal conveyors of Germany's historic traditions and the ideals of German culture, the isolation, exile and persecution of Jewish musicians by the Nazis became an act of musical self-mutilation. Michael Haas looks at the actual contribution of Jewish composers in Germany and Austria before 1933, at their increasingly precarious position in Nazi Europe, their forced emigration before and during the war, their ambivalent relationships with their countries of refuge, such as Britain and the United States and their contributions within the radically changed post-war music environment. -- Jacket