Suchergebnisse

Involuntary celibates, or "incels," are people who identify themselves by their inability to establish sexual partnerships. In this article, we use analytic abduction to qualitatively analyze 9,062 comments on a popular incel forum for heterosexual men that is characterized by extensive misogyny. Incels argue that emerging technologies reveal and compound the gender practices that produce involuntarily celibate men. First, incels argue that women's use of dating apps accelerates hypergamy. Second, incels suggest that highly desirable men use dating apps to partner with multiple women. Third, incels assert that subordinate men inflate women's egos and their "sexual marketplace value" through social media platforms. We argue that incels' focus on technology reinforces essentialist views on gender, buttresses male domination, dehumanizes women, and minimizes incels' own misogyny. We discuss findings in relation to theories of masculinity and social scientific research on the impacts of emerging technology.

Social network analysis is increasingly recognised as a useful way to explore music scenes. In this article we examine the individuals who were the cultural workforce that comprised the 'Britpop' music scene of the 1990s. The focus of our analysis is homophily and heterophily to determine whether the clusters of friendships and working relationships of those who were 'best connected' in the scene were patterned by original social class position. We find that Britpop's 'whole network' is heterophilic but that its 'sub-networks' are more likely to be social class homophilic. The sub-networks that remain heterophilic are likely to be united by other common experiences that brought individuals in the network to the same social spaces. We suggest that our findings on Britpop might be generalised to the composition of other music scenes, cultural workforces and aggregations of young people. Our study differs from research on, first, British 'indie music' and social class which focuses upon the construction, representation and performance of social location rather than the relationships it might shape and second, the pioneering social network analyses of music scenes which currently lack explicit emphasis on social class.

AbstractIn 1989, Marc Lépine murdered 14 women at L'École Polytechnique de Montréal. We demonstrate how involuntarily celibate ("incel") men celebrate Lépine and claim him as a member of their community. Our analysis draws on 637 comments made on incels.is, the main English‐language incel forum, that explicitly mentions Marc Lépine. We argue that incels use Lépine to situate themselves in relation to masculinity and to justify violence against women. First, incels orient to both hegemonic and subordinate masculinity by arguing that feminists are waging a gender war against men. Second, incels celebrate Lépine as a methodical and efficient murderer, connecting both themselves and Lépine to hegemonic masculinity. Third, incels describe both themselves and Lépine as victims of feminists and use this perceived subordination to justify violence against women. We discuss findings in relation to theories of masculinity and policies regulating online communities.

This article uses computational data and social science theories to analyze the misogynistic discourse of the involuntary celibate ("incel") community. We analyzed every comment ( N = 3,686,110) produced over 42 months on a popular incel discussion board and found that nearly all active participants use misogynistic terms. Participants used misogynistic terms nearly one million times and at a rate 2.4 times greater than their use of neutral terms for women. The majority of participants' use of misogynistic terms does not increase or decrease with post frequency, suggesting that members arrive (rather than become) misogynistic. We discuss these findings in relation to theories of intersectionality, masculinity, and sexism. We likewise discuss potential policies for mitigating incel misogyny and similar online discourse.