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This article explores the use of private diaries in qualitative research about intimate everyday experiences. The article first reflects on existing diary-based research, then examines data from a small-scale UK study about the negotiation of condom use in heterosex to pose questions about the kinds of data made available when participants use private diaries as a prompt in qualitative interviews. The article discusses the use of private diaries as a way to explore ambivalent, everyday experiences and interrogates the role of diaries as a form of confessional or measurement of private life. It explores how combined researcher intimate diaries and field note journals can be used in reflexive qualitative sexualities research. The article finally examines the potential for diaries as a form of research intervention in participants' intimate lives.

Intro -- TITLE PAGE -- CONTENTS -- INTRODUCING CLASS -- CHAPTER 1: HISTORIES OF CLASS -- CHAPTER 2: THEORIES OF CLASS -- CHAPTER 3: LABOUR -- CHAPTER 4: LAND -- CHAPTER 5: CULTURE -- CHAPTER 6: EVERYDAY -- CHAPTER 7: THEMES AND DEBATES -- CHAPTER 8: THE FUTURE OF CLASS -- CHAPTER 9: CLASS IN OUR LIVES -- FURTHER RESOURCES -- ACKNOWLEDGEMENTS -- COPYRIGHT.

In this article, we explore the ways that contemporary young masculinities are performed and regulated through young people's relationship with celebrity. We address the relative paucity of work on young men's engagements with popular culture. Drawing on qualitative data from group interviews with 148 young people (aged 14-17) in England, we identify 'celebrity talk' as a site in which gender identities are governed, negotiated and resisted. Specifically we argue that celebrity as a space of imagination can bring to the study of masculinities a focus on their affective and collective mobilisation. Unpicking young men's and women's talk about Canadian pop star Justin Bieber and British boyband One Direction, we show how disgust and humour operate as discursive-affective practices which open up and close down certain meanings and identities. We conclude that while there have been shifts in the ways that masculinities are performed and regulated, hierarchies of masculinities anchored through hegemonic masculinity remain significant.

This paper seeks to disrupt sensationalist racialised and classed media accounts of the youth looting in the 2011 London riots. It draws upon research on young people's uses of mobile digital technology, including social networking sites like Facebook and Blackberry Messenger to understand the performance of contemporary teenage masculinities. Developing the work of Beverly Skeggs, we demonstrate how value circulates in young people's digital peer networks. We analyse how images of designer goods and labels that signify wealth are used on social networking sites to embody cool masculine 'swagger' and attain popularity 'ratings', which we theorise as forms of social and cultural capital that circulate in the peer networks. Interview narratives also illustrate that the construction of online value must be verified in boys' offline lives; and we show how teenage boys are negotiating power relationships and peer hierarchies online, at school and in their neighbourhoods. We argue that an analysis of symbolic value in digital contexts and in embodied everyday life helps in understanding new regulative formations of gender and masculinity in late-modern, globalised contexts of youth identity construction. In this way, our findings and analysis directly challenge the simplistic public discourses of 'feral' and 'mindless' youthful masculinities depicted in the UK media representations of the London riots, providing more complex insights into the construction of contemporary teenage masculinities.

In this paper, we consider how the cultural politics of austerity within Britain plays out on the celebrity maternal body. We locate austerity as a discursive and disciplinary field and contribute to emerging feminist scholarship exploring how broader political and socio-economic shifts interact with cultural constructions of femininity and motherhood. To analyse the symbolic function of mediated celebrity maternity within austerity, the paper draws on a textual analysis of three celebrity mothers: Kate Middleton, Kim Kardashian, and Beyoncé. This analysis was undertaken as part of a larger qualitative study into celebrity culture and young people's classed and gendered aspirations. We show how these celebrity mothers represent the folk devils and fantasy figures of the maternal under austerity—the thrifty, happy housewife, the benefits mum, and the do-it-all working mum—and attempt to unpick what cultural work they do in the context of austerity within Britain. Through the lens of celebrity motherhood, we offer a feminist critique of austerity as a programme that both consolidates unequal class relations and makes punishing demands on women in general, and mothers in particular.

This article explores gender inequities and sexual double standards in teens' digital image exchange, drawing on a UK qualitative research project on youth 'sexting'. We develop a critique of 'postfeminist' media cultures, suggesting teen 'sexting' presents specific age and gender related contradictions: teen girls are called upon to produce particular forms of 'sexy' self display, yet face legal repercussions, moral condemnation and 'slut shaming' when they do so. We examine the production/circulation of gendered value and sexual morality via teens' discussions of activities on Facebook and Blackberry. For instance, some boys accumulated 'ratings' by possessing and exchanging images of girls' breasts, which operated as a form of currency and value. Girls, in contrast, largely discussed the taking, sharing or posting of such images as risky, potentially inciting blame and shame around sexual reputation (e.g. being called 'slut', 'slag' or 'sket'). The daily negotiations of these new digitally mediated, heterosexualised, classed and raced norms of performing teen feminine and masculine desirability are considered.

"Celebrity, Aspiration and Contemporary Youth uses the lens of celebrity to explore how young people think about their futures under austerity. Based on an interdisciplinary study, the book offers fresh insights into contemporary youth aspirations and inequalities. It helps us to understand young people's transitions into adulthood at a time of socio-economic 'crisis'. Drawing on original data, the authors examine what it means for young people to be forming their aspirations within the context of 'austere meritocracy'. The book addresses three central questions: What kinds of futures do young people desire and imagine for themselves? What is required of young people in the process of achieving these futures? And how are inequalities embedded and reproduced within these? Using young people's 'celebrity talk' to explore their aspirations, the authors challenge stereotypes of young people as a fame-hungry, get-rich-quick generation. Instead, they show how young people engage critically with celebrity and its discourses. Key chapters focus on how young people talk about youth, work, authenticity, success, happiness, money and fame in relation to their own lives and those of celebrities. Each of these chapters contains a case study of an international celebrity, including, Beyoncé, Will Smith, Bill Gates, Prince Harry and Kim Kardashian. The authors conclude with possibilities for social change. They show that celebrity offers an important way of working with young people to critically explore what futures are possible and for whom."--Bloomsbury Publishing