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Presented here is a novel approach to understanding the relationship between the past and the present using the unique concept of re-use, wherein elements from the past are strategically adapted into the present, and thus become part of a new modernity. The book uses this method as a heuristic tool for analysing and interpreting cultural and political changes and the transnational flow of ideas, concepts and objects. The chapters apply this concept to South Asia but the concept of re-use and the method of its application are both general and amenable to cross-cultural and comparative analysis

Many in Orissa, experts and lay devotees alike, think of the 'cult of Jagannatha' as unique, and specific to Orissa. This is not unusual because space has a special connotation in Hinduism and Jagannatha, though, technically, the Lord of the Universe, is seen by Oriyas as 'their' god. Similar identification of particular gods with particular spaces and people can be seen all over India. However, looked at more closely and comparatively, the political and cultural dynamic that goes into the making of the cult is more general than the cult itself. Available evidence shows that the partial process that underpins India's regional traditions is based on mutual accommodation of rival sacred beliefs, in other regions of India as well. Based on the comparative accounts and the history of Jagannatha of Orissa, and of temples from north and south India which have been converted either by the Jaina or the Lingayat communities, the paper examines the processes of the re-use of sacred sites and material by the holders of political power and the use of such hybrid sacred objects in the making of regional state traditions.

In der Buchreihe des "Bonn Center for Dependency and Slavery Studies" werden Monographien und Tagungsbände, die das Phänomen der Sklaverei und andere Formen asymmetrischer Abhängigkeiten in Gesellschaften untersuchen, veröffentlicht. Die Reihe folgt dabei der Forschungsagenda des BCDSS, die die vorherrschende dichotomische Vorstellung von "Sklaverei versus Freiheit" überwindet. Das Cluster hat dazu ein neues Schlüsselkonzept ("asymmetrische Abhängigkeiten") entwickelt, das alle Ausprägungen von ungleichen Dependenzen (wie etwa Schuldknechtschaft, Zwangsarbeit, Dienstbarkeit, Leibeigenschaft, Hausarbeit, aber auch gewisse Formen der Lohnarbeit und der Patronage) berücksichtigt. Dabei werden auch Epochen, Räume und Kontexte der Weltgeschichte bearbeitet, die nicht der europäischen Kolonisierung ausgesetzt waren (z.B. altorientalische Kulturen sowie vormoderne und moderne Gesellschaften in Asien, Afrika und den Amerikas). Have you ever thought about dependencies in Asian art and architecture? Most people would probably assume that the arts are free and that creativity and ingenuity function outside of such reliances. However, the 13 chapters provided by specialists in the fields of Asian art and architecture in this volume show, that those active in the visual arts and the built environment operate in an area of strict relations of often extreme dependences. Material artefacts and edifices are dependent on the climate in which they have been created, on the availability of resources for their production, on social and religious traditions, which may be oral or written down and on donors, patrons and the art market. Furthermore, gender and labour dependencies play a role in the creation of the arts as well. Despite these strong and in most instances asymmetrical dependencies, artists have at all times found freedoms in expressing their own imagination, vision and originality. This shows that dependencies and freedoms are not necessarily strictly separated binary opposites but that, at least in the area of the history of art and architecture in Asia, the two are interconnected in what are often complex and multifaceted layers