Suchergebnisse

Thanks to its expressive form, the New Synagogue and the Jewish Community Centre in Mainz erected in 2008–2010 is a powerful sign in the urban space, creating a sort of aesthetic energy of the place. Its shape and influence results from the special synergy of an ultra-modern form and content deeply rooted in tradition. Serving particular functions, the building at the same time becomes an important urban art piece, determining and defining identity of the place.

In 1931, an international collection of modern art works was presented for the first time in Łód´z, being then the second largest city in Poland and one of the most important industrial centres. It was a world-class event, since in the 1930s, Łód´z museum was the only Polish and European museum presenting works of the most important avant-garde artists as a part of its permanent exhibition. In the post-war period considerable efforts were taken to erect a new building of the Museum of Art in Łód´z. It was going to be an event on a national scale, since it would be the first modern multifunctional museum built from scratch during the period of People's Poland. Yet, the lack of perspective thinking and ideological entanglement of cultural institutions, as well as propaganda dictate and the lack of consistency in actions of communist authorities prevented Łód´z from taking the chance of remaining in the very centre of pioneering museum activities.

Preface, "Split Tomato Sauce" by Tommi Avicolli Mecca, writer, singer/songwriter, activist, and editor of Smash the Church, Smash the State: The Early Years of Gay Liberation -- Introduction by Sole Anatrone and Julia Heim -- "Coming Out and Leaving Home: Cultural Friction in the Italian American Kitchen" by Eilis Kierans, PhD candidate in Italian Studies at Rutgers University, USA -- "Passion and Pulp: Impossible Families" by Clarissa Clò, PhD, Professor and Chair, and Director of the Italian Studies Program, in the Department of European Studies at San Diego State University, USA -- "Queer Categorical Miscegenation: Sexuality, Race, Gender, Class, and Ethnicity in Victor Bumbalo's Niagara Falls and Questa" by John Champagne, PhD, Professor of English at Penn State Erie, the Behrend College, USA -- "I would like to be a spoiled rich white girl" by Nick Boston, PhD, associate professor of media sociology at Lehman College, USA -- "Lifestyles of the Gay and Mobster" by Julia Heim, PhD, Lecturer in Italian at University of Pennsylvania, USA -- "Queering the Guido or Guidoing the Queer? Performing Gender and Identity on Comedy Television" by Carmelo Galati, PhD, Associate Professor of Instruction and Co-Director of the Italian Studies Program at Temple University, USA -- "Time to come out, girl!": Queering Italian American Sexuality on TV Land's Younger by Aria Cabot, PhD, Director of the World Languages and Literatures Teaching and Technology Center at Southern Methodist University, USA -- Spotlights: These "spotlights" are short, autobiographical pieces that appear throughout the book, interspersed between the chapters, serving as both a break from the more scholarly work, and a look at what it means to live as a queer Italian American media-maker. The authors–who are all involved in media in a variety of ways–reflect on how their identities as Italian Americans, and as LGBTQIA+ identified peoples influence each other and their work. Contributors: -- Rita Houston & Laura Fedele (radio personality and producer) -- Annie Lanzilotto (author, playwright) -- Dana Piccoli (entertainment writer and pop culture critic) -- Katelynn Cusanelli (reality TV star) -- Norman Korpi (reality TV star) -- Mitch del Monico (director) -- Julio Gambuto (director and author).

This book is an attempt to save "the sexual" from the oblivion to which certain strands in queer theory tend to condemn it, and at the same time to limit the risks of anti-politics and solipsism contained in what has been termed antisocial queer theory. It takes a journey from Sigmund Freud to Mario Mieli and Guy Hocquenghem, from Michel Foucault and Judith Butler to Teresa de Lauretis, Leo Bersani, Lee Edelman, and Tim Dean, and from all of these thinkers back to Immanuel Kant and Thomas Hobbes. At the end, through readings of Bruce LaBruce's movies on gay zombies, the elitism of antisocial queer theory is brought into contact with popular culture. The living dead come to represent a dispossessed form of subjectivity, whose monstrous drives are counterposed to predatory desires of liberal individuals. The reader is thus lead into the interstitial spaces of the Queer Apocalypses, where the past and the future collapse onto the present, and sexual minorities resurrect to the chance of a non-heroic political agency

"From rethinking feminist archives, to inserting postpornography in academia, to approaching sex toys from a transpositive perspective, to dismantling the foundations of techno-capitalism, the areas of inquiry in this book are lenses through which to explore the relationships between genders, bodies and technologies. All the various chapters work to reimagine the body as a hybrid, malleable and subversive source of potentiality. These essays offer readers road maps for unimagined and uncharted social scapes: the relationship between bodies-technologies-genders means working within a space of monstrosity. Through this embodied discomfort the book questions existing techno-social norms, and imagines tranfeminist futures. Contributors are: Carlotta Cossutta, Valentina Greco, Arianna Mainardi, Stefania Voli, Lucía Egaña Rojas, Ludovico Virtù, Angela Balzano, Obiezione Respinta, Elisa Virgili, Rachele Borghi, and Diego Marchante "Genderhacker""--

Queering Italian Media offers queer readings of LGBTQIA+ representation in Italian media. The contributors discuss the relationship between the political and social lives of queer populations in Italy and investigate their representations in film, news media, television, social media, and viewer-generated media sites.

The paper discusses the research me­thods and the most important results of the interdisciplinary project "The Former Gestapo Headquarters and the Provincial Office of Public Security in Anstadt Avenue in Łódź. Interdisciplinary Site Research" conducted in 2019–2021. Considering the challenges faced by the archaeology of the contemporary past, a subdiscipline of archaeology, an attempt was made to link the results of archaeological research to the relatively well-known historical context of structural and functional transformations of the site explored, mostly the establishment of a Jewish school in Anstadt Avenue at the end of the 1930s, the operation of the Gestapo headquarters during the Second World War and of the communist Provincial Office of Public Security after the war, and the division of the site into police and school sections in 1957, which has been preserved to date. Also ethno­graphic research was carried out, which identified sources referring to the forms of remembrance and commemoration of places, events, and people. The Authors hope that the archaeological research will be soon resumed on account of the planned investments, allowing to publish a complementary and interdisciplinary monograph of the site explored.