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Using the comparative historical method, the purpose of this article was to detect the new political forms of intercultural dialogue at the time of the classical music festival. The international festival "Music without limits" has not been the subject of scientific research since the moment of its foundation twelve years ago, festival which has an annual presentation at the Dnipropetrovsk academy named after M. Glinka. The authors of this paper have discovered the series of new forms relating to intercultural dialogue in time, one of the most famous classical music festivals in the central region of Ukraine, in particular discrete (separate) form in connection with the celebration of holiday music, denotes a different presentation in time, concerts of general thematic or compositional-artistic features; repertoire-region form of festive movement, which concentrates the predominance of musical compositions of a certain region or country; permanent form of performance in terms of the presentation of masterpieces of the cycle of academic musical art, which is stipulated by the performance at a single concert of all compositions of the musical cycle. It is concluded that music, under certain political conditions, can represent a space for intercultural dialogue.