Suchergebnisse

Intro -- Contents -- List of Illustrations -- Acknowledgments -- Abbreviations and Selected Glossary of Chinese Names and Terms -- Abbreviations -- Selected Glossary of Chinese Names and Terms -- Introduction -- Context: Funü and Nüxing before the Mao Era -- Funü and the Women's Liberation Movement in the Mao Era -- Funü and the Gender Project of the Mao Era -- Feminist Evaluation of the Maoist Women's Liberation Movement -- Nüxing and Post-Mao Gender Discourses -- China's Neoliberal Transition and the Diversification of Gender Discourse -- Feminist Studies of Women's Lives in the Mao Era -- Feminist Theorizing on Gender and Chinese Context -- Gender (as) Project and Subversion Strategy -- Gender and Narrative -- Telling and Retelling: Narrating beyond the Ending -- Hybrid Language, Code Switching, and Alternative Storytelling -- Research Process and Data -- Voice, Representation, and Interpretation -- Chapter 1 Born into the Mao Era: Lin's Life Story -- Context: The Class System in the Mao Era -- Lin's Life Story -- Outline -- Between Jiatingfunü Nainai and Maoist Funü Mother -- Class Identification -- Gender Identification -- From Funü to Nüxing: Negotiation and Revision -- The Storytelling -- Suku as a Master Script -- Women and Suku -- The Narrative Structure of Suku -- The Operation of Suku in Lin's Life Story -- Telling and Retelling -- Conclusion -- Chapter 2 The Shaming of Funü: Dong's Life Story -- Context: The Rural-Urban Divide in China -- Dong's Life Story -- Outline -- "Women's Day" and the Funü Subject -- Experiencing Shame: the Story of PLA Sneakers -- Gender, Shame, and Clothing -- Shifting Relations: Gender, Clothes, and Shame -- Free from Shame? -- Free from Shame: Feng's Story -- Free from Shame Revisited -- The Storytelling: Fangyan and a Story of Desire -- Conclusion -- Chapter 3 I Am a Rock: Shitou's Life Story

These Identity design has been an important subject of human concern since ancient times. In ancient feudal society, the same group of people formed a pyramid structure. Taking the Qing Empire as an example, the emperor's robe is yellow with a dragon emblem embroidered on it, symbolizing the emperor's majesty, while the official robes are divided into bird patterns and animal patterns, forming a strict hierarchy. In addition to the level identification between the same groups, the power information and other information of different groups can also be clearly distinguished from each other. For example, the Japanese family crest shows the family information to which the individual belongs, while the European family crest is more of a multi-level presentation, which may include family, class, status and other information. In addition, both of them have a long history and culture and a well-structured and systematic emblem pattern. When later generations studied the totem emblem patterns in other regions, they invariably used the two as a reference for comparison. What are these coats of arms and coats of arms used as a basis for judging status and class? This is the goal of this study, and it is hoped that the final findings will serve as a reference for other researchers.