Suchergebnisse

This article aims to analyze the evolution of the cinematic representation of the character Dracula, imagined and made famous by Bram Stoker, the author of the eponymous Gothic novel. To better understand the context in which this character developed, I begin by presenting some relevant details from the life and work of the medieval ruler Vlad the Impaler, the source of inspiration for the British writer. The purpose of this article is to highlight the differences in nuance and changes over time with respect to Dracula. From a one-sided, bloody, animalistic character, he becomes more and more sophisticated every decade. In a cinematic century, Dracula changes radically, begins to have secondary objectives, placed immediately after his physiological need. This behavioral change can define the producers' attempt to create a product that is marketable and open to a wider audience.

"This article tries to understand what type of film is approved by the Nicolae Ceauşescu regime and how it is promoted, through various propaganda channels. In this sense, we choose to discuss the film made by the artistic couple Manole Marcus - Titus Popovici, The Power and The Truth (1972), and we resort to a content analysis to understand the way it was made. We are also interested in the echoes of the film in the press of the time and how with the help of newspaper articles the authorities inoculate the idea that this film is the most important cinematographic achievement of the moment, a benchmark for political productions to be made from that point on. Keywords: Cinematography, Political Film, Nicolae Ceauşescu, Manole Marcus, Titus Popovici, Propaganda "