Reaching Beyond the Local: The Itineraries of an Ottoman-Sephardic-American Minhag
In: Contemporary jewry: a journal of sociological inquiry, Band 35, Heft 1, S. 89-105
ISSN: 1876-5165
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In: Contemporary jewry: a journal of sociological inquiry, Band 35, Heft 1, S. 89-105
ISSN: 1876-5165
In: Comparative studies of South Asia, Africa and the Middle East, Band 31, Heft 3, S. 569-587
ISSN: 1548-226X
Based on a larger project investigating music making as an integral part of Ottoman and Turkish social history, this article seeks to understand surviving musical resonances across ethnoreligious communities in Turkey today. It specifically explores Jewish religious music and its interconnections with a wider Ottoman-Turkish musical culture that has sustained historical traces in Turkish synagogues today. Focusing primarily on a Jewish musical form with close links to Ottoman court music, the Maftirim repertoire, the study investigates the changing urban landscape of intercommunal music making as the Ottoman Empire ended and the Turkish nation was built. Through composer biographies and ethnographic methodologies of oral history within an interdisciplinary theoretical approach, the analysis seeks to articulate the places and people circulating in a late Ottoman music world and sharing patterns of patronage, aesthetic understandings, professional specialization, and master-pupil relations. The social ethos of this art world provides the foundation for tracing Ottoman-Turkish-Jewish music making in the republic. By pursuing not only minority human and cultural losses in the twentieth century but also the musical lives of those Jews who remained in Turkey, the article elucidates continuities in Ottoman lines of transmission and interethnic music making to explain the performance of Maftirim in Istanbul today. It argues that it was through alternative patrons and civic spaces that Turkish Jewish religious musicians participated with their non-Jewish counterparts in sustaining at-risk, albeit changing, Ottoman cultural forms in the face of state and commercial cultural interests.
In: Child & family social work, Band 2, Heft 2, S. 81-89
ISSN: 1365-2206
A commonly used expression in child protection is the term 'physical abuse'. This paper consists of a quantitative and qualitative analysis of a 100% sample of 'physical abuse' child protection cases drawn from research in an Australian state child welfare agency, which shows that about 90% of these concerned incidents in which parents used physical punishment to control children. Resulting physical harms to children (where they occurred) were generally of a very minor nature. The paper examines these results in the light of research findings in the UK and Australia on patterns of physical punishment used by parents to control children. Such findings suggest that those child rearing practices that make frequent and systematic use of physical punishment are located largely amongst lower social class parents, who believe that such practices are an essential and normal component of effective parenting behaviour. One interpretation of child protection services in respect of these cases is that they are concerned primarily with the normalization of child rearing practices. The paper concludes with a discussion of the limited impact of the Swedish anti‐spanking law of 1979, which appears to have only reduced the use of physical punishment by those parents who may not necessarily have believed in such measures in the first place. However, legislation of this nature has the potential to criminalize a substantial sector of the population, but at least state intervention under the aegis of a specific criminal law provides a clearer mandate than does intervention under much looser, broader and subjectively interpreted child protection legislation.