Suchergebnisse

The piece discusses race and criminal justice in the context of recent videotaped cases of young black men dying at the hands of police officers.

"Race is the modality in which class is lived" (Hall et al., 1978, p. 394). That's how Stuart Hall evocatively put it, emphasizing the extent to which class relations can actually and substantively "function as race relations" for working class Black Brits (and others). He was arguing, amongst other things, against the neatly reified distinctions scholars traditionally policed between class-based analyses and racial ones.

AbstractUsing the discussion of self‐reflexivity as an organizing principle, this article examines how mobilizing digital video technology during fieldwork opens up empirical and theoretical space for reconceptualizing the relationship between anthropologists and informants. Placing the field of visual anthropology into critical conversation with long‐standing theoretical arguments about the objectivist limitations of native anthropologists, I argue that the slipperiness of nativity as an anthropological designation helps to provide analytical tools for examining filmmaking as a kind of gift‐giving process between native ethnographic filmmakers and the subjects of their films. This article highlights some of the ways in which my own filmic and videographic exploits in Harlem, New York, mark integral connections between seeing and being the proverbial other, probing social exchanges predicated on the usefulness of low‐budget digital technology as a means of fostering politically and epistemologically valuable ethnographic collaborations.

Fakes, forgery, counterfeits, hoaxes, bullshit, frauds, knock offs—such terms speak, ostensibly, to the inverse of truth or the obverse of authenticity and sincerity. But what does the modern human obsession with fabrications and frauds tell us about ourselves? And what can anthropology tell us about this obsession? This timely book is the product of the first Annual Debate of Anthropological Keywords, a collaborative project between HAU, the American Ethnological Society, and L'Homme, held each year at the American Anthropological Association Meetings. The aim of the debate is reflect critically on keywords and terms that play a pivotal and timely role in discussions of different cultures and societies, and of the relations between them. This book, with multiple authors, explodes open our common sense notions of "novelty," "originality," and "truth," questioning how cultures where deception and mistrust flourish seem to produce effective, albeit opaque, forms of sociality.