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Neuro-aesthetics is a new scientific field in the field of research on the perception of beauty as well as the creation of art. This science deals with the connection between areas of the human brain and nervous systems with the perception of beauty. Neuro-aesthetic researchers and theorists consider the perception of beauty to have a biological basis. Aesthetics refers to the knowledge of how the senses are used to know. The purpose of writing this article is to review and introduce Don DeLillo's view on art and Aesthetics in the book Mao II and to extend the references in aesthetic education. This research is trying to determine the scope of this science and to express the challenges that are on this claim. The result of this research, which was carried out by examining the results of neuro-aesthetic tests and criticisms and opinions of theorists, shows that artistic perception is not mere visual perception, but variables such as historical, cultural factors, and conceptual understanding of the work are influential in artistic understanding.

The structural and value developments resulting from the cultural revolution in contemporary societies, parallel to the growth, have sought attention to the category of memory. Cultural memory has become an important tool in producing discourses and representations, as well as forming the cultural identity of social groups and communication with many institutions and social structures. The present article seeks to describe the contexts, functions, and effects of memory studies as an interdisciplinary academic tradition and introduce its main approaches and methods, especially in the tradition of cultural studies. For this purpose, the approach of neuro-aesthetics was utilized, and the Atonement Novel was reviewed, which in addition to adding important agendas in the study of everyday life and popular culture, also has a great contribution to the connection of humanities and social sciences and a better understanding of cultural and social complexities. Given the results, the major probable addition for the humanities from discussions with neuroscience is a pulling together of consideration on a few center inquiries of normal interest.

Scientists and neuroscientists have recently conducted scientific and neurological research to discover what is behind the beauty and power of artwork in conveying its meaning to its audience. Philosophers have studied black boxes for years and researchers have delved into them lately. In this regard, the present study was conducted to investigate the impact of beauty when facing familiar and unfamiliar works of art. Aesthetics is one of the most important and controversial factors in the history of art and its influence cannot be ignored. Various methodologies of the mind process in the presence of art and aesthetics were discussed for this purpose. The present article has tried to follow up on the origin of beauty in the perceiver by looking at a beautiful phenomenon and by adopting three biological, cognitive, and psychological perspectives and achieve a relatively comprehensive view of beauty and its place in the process of human perception. Based on this, aesthetic pleasure is not only limited to the sense of sight and the external appearance of the city, but it is the result of the effect of all design purposes on the human senses.