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This article explores the online discussions between Carlos and Lizzy, two Latin American immigrant influencers in the United States with profiles on TikTok and Instagram. The dataset comprises a 90-minute live debate between them, that took place on September 25th, 2021, broadcast on Instagram and available on one of the profiles, as well as 1200 comments by 933 different viewers, received during the broadcast. The analysis relies on previous research on polarization, deliberation, and disagreement on social media platforms and it provides insights regarding the political and ideological diversity that exists among immigrant influencers and their followers. It focuses on the discursive strategies deployed by these content creators to discuss issues related to immigration reform and activism from two distinct political stances. It also provides a glimpse into topics of interest for the immigrant community as reflected by these content creators and commenting followers. The findings reflect the value of the ongoing relationship between content creators and their followers in the personal support and acceptance Carlos receives. In contrast, Lizzy is largely rejected and attacked, but a few of her arguments resonate with viewers. Comments about the debate itself are mostly negative due to the perceived low quality of the arguments, the mocking attitude of both debaters, and the need for a moderator to control the times. Comments that are critical of the debate often describe expectations of a more civil discussion and pathways to improve future debates.

Recent media attention aimed at migrant caravans at the US–Mexico border has increased interest from different actors in the political and social spheres. Parallel to traditional and mainstream media, social media has become the prime context where narratives about the border develop, molding broader societal perspectives on the immigration issue. Through a content and discourse analysis of 105 posts connected by the #MigrantCaravan or #CaravanaMigrante hashtags, we delved into how media representations of immigration on Instagram effectively establish otherness between the different characters involved in this phenomenon. The border wall emerges as one of the main components in these narratives and a symbol of the temporal and spatial stages of the migratory journey. Meanwhile, the voice of the main character, the migrant, is mostly absent, often conveyed through biased views, filtered by the opinions of posters about immigration and characterized by new narrative configurations enabled by the Instagram format.

Recent media attention aimed at migrant caravans at the US–Mexico border has increased interest from different actors in the political and social spheres. Parallel to traditional and mainstream media, social media has become the prime context where narratives about the border develop, molding broader societal perspectives on the immigration issue. Through a content and discourse analysis of 105 posts connected by the #MigrantCaravan or #CaravanaMigrante hashtags, we delved into how media representations of immigration on Instagram effectively establish otherness between the different characters involved in this phenomenon. The border wall emerges as one of the main components in these narratives and a symbol of the temporal and spatial stages of the migratory journey. Meanwhile, the voice of the main character, the migrant, is mostly absent, often conveyed through biased views, filtered by the opinions of posters about immigration and characterized by new narrative configurations enabled by the Instagram format.

Internet celebrity has become a phenomenon of great interest for scholars in the last few years. This is partly due to its impact in contemporary media ecosystems, and its influence in political, social, cultural, and commercial behaviors around the world. Meanwhile, some segments of the population continue to be marginalized by sociotechnical configurations that perpetuate structures of dominance in the digital sphere and on social media platforms. This is the case of immigrants, who often face diverse digital, symbolic, and physical borders that neglect their voice and agency. Thus, the present study aims to explore the creative practices of immigrant tiktokers who have achieved a significant following on this platform. Using a case study approach, we explore four immigrant creator profiles with a following of 17,000 to 500,000 through in-depth interviews and a multimodal content analysis of 252 of their videos to delve into their platformed practices on TikTok. The participants are Latin American immigrant creators living in the US and Spain, identified as part of a larger study on the uses of TikTok by Latinx immigrants in these two countries exploring 53 immigrant creator profiles with more than 10,000 followers. Their practices related to algorithmic (in)visibility, and their unfolding identities including their digital, creative, political, activist, cultural, and national personas are noteworthy, and suggest unique pathways to reclaim agency through social media influence and construct multi-dimensional microcelebrity identities beyond migratory status.

Ephemeral media has become a staple of today's social media ecology. This study advances the first exploratory analysis of Instagram Stories as a format for political communication. Through an initial content analysis of 832 stories in three verified Vox accounts and a secondary content and discourse analysis of 114 stories, we delve into the strategies used by right-wing party Vox in Spain to portray immigration as an issue for ideological positioning. The findings shed light onto the ways in which the representation of migrants is employed as an instrument for anti-migratory policy support, through the construction of a very specific profile of a migrant in terms of age and gender and the exclusion of significant migrant populations from the argument. Moreover, the party employs the content creation functionalities of Instagram Stories to construct arguments and storylines where diverse information sources converge, effectively bypassing traditional media and reaching their supporter base directly.

Ephemeral media has become a staple of today's social media ecology. This study advances the first exploratory analysis of Instagram Stories as a format for political communication. Through an initial content analysis of 832 stories in three verified Vox accounts and a secondary content and discourse analysis of 114 stories, we delve into the strategies used by right-wing party Vox in Spain to portray immigration as an issue for ideological positioning. The findings shed light onto the ways in which the representation of migrants is employed as an instrument for anti-migratory policy support, through the construction of a very specific profile of migrant in terms of age and gender and the exclusion of significant migrant populations from the argument. Moreover, the party employs the content creation functionalities of Instagram Stories to construct arguments and storylines where diverse information sources converge, effectively bypassing traditional media and reaching their supporter base directly. ; This work was supported by 'Alfamed' (Euro-American Research Network), under Grant R+D+I Project (2019-2021), entitled "Youtubers and Intagrammers: Media competence in emerging prosumers", with code RTI2018-093303-B-I00, financed by the Spanish Ministry of Science, Innovation and Universities and the European Regional Development Fund (ERDF), and the R+D-i Project (2020-2022), entitled "Instagrammers and youtubers for the transmedia empowerment of Andalusian citizens. The media competence of instatubers", with code P18-RT-756, financed by the Andalusian Regional Government in the 2018 call (Andalusian Research, Development and Innovation Plan, 2020) and the European Regional Development Fund (ERDF). ; This work was supported by 'Alfamed' (Euro-American Research Network), under Grant R+D+I Project (2019-2021), entitled "Youtubers and Intagrammers: Media competence in emerging prosumers", with code RTI2018-093303-B-I00, financed by the Spanish Ministry of Science, Innovation and Universities and the European Regional Development Fund (ERDF), and the R+D-i Project (2020-2022), entitled "Instagrammers and youtubers for the transmedia empowerment of Andalusian citizens. The media competence of instatubers", with code P18-RT-756, financed by the Andalusian Regional Government in the 2018 call (Andalusian Research, Development and Innovation Plan, 2020) and the European Regional Development Fund (ERDF).

Doing Digital Migration present a comprehensive entry point to the variety of theoretical debates, methodological interventions, political discussions and ethical debates around migrant forms of belonging as articulated through digital practices. Digital technologies impact upon everyday migrant lives, while vice versa migrants play a key role in technological developments - be it when negotiating the communicative affordances of platforms and devices, as consumers of particular commercial services such as sending remittances, as platform gig workers or test cases for new advanced surveillance technologies. With its international scope, this anthology invites scholars to pluralize understandings of 'the migrant' and 'the digital'. The anthology is organized in five different sections: Creative Practices; Digital Diasporas and Placemaking; Affect and Belonging; Visuality and digital media and Datafication, Infrastructuring, and Securitization. These sections are dedicated to emerging key topics and debates in digital migration studies, and sections are each introduced by international experts