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This book provides a definitive overview of contemporary developments in our understanding of urban life in China. Multidisciplinary perspectives outline the most significant critical, theoretical, methodological and empirical developments in our appreciation of Chinese cities in the context of an increasingly globalized world. Each chapter includes reviews and appraisals of past and current theoretical development and embarks on innovative theoretical directions relating to Marxist, feminist, post-structural, post-colonial and 'more-than-representational' thinking. The book provides an in-depth insight into urban change and considers in what ways theoretical engagement with Chinese cities contributes to our understanding of 'global urbanism'. Chapters explorehow new critical perspectives on economic, political, social, spatial, emotional, embodied and affective practices add value to our understanding of urban life in, and beyond, China.

Creative Industries: The Regional Dimension is one of a series of reports published in recent years by the UK government which outlines the importance of creative industries to economic growth. It is in these terms that central government has promoted the creative industries as a newly recognised and fast-growing sector of the economy, thus seeking to quantify the Cool Britania branding so famously propagated by the then newly elected Labour government. The author unpacks the enthusiasm for the creative industries at the national level, and further investigates how the creative-industries developmental agenda has been unfolding within UK regions. The trajectory of the United Kingdom's creative-industries agenda is contrasted with policy and developmental strategies undertaken elsewhere in the world. It is argued that implementation of a creative-industries agenda at the regional level in the United Kingdom is at best patchy, and there is currently a lack of strategic planning, best-practice models, and empirical research to guide policymakers. The West Midlands is then addressed in more detail, and it is argued that at the regional administrative level, a creative industries development agenda per se is all but lost. The implications of this policy trajectory are discussed.

Creative industries development has been underway in the city of Stoke-on-Trent for the past fifteen years. Two urban quarters, a creative industries network, 'design-led' regeneration initiatives, and live-work spaces for craft businesses are some of the main projects undertaken in this period. In the past year, this raft of developments has been augmented by a creative industries mapping exercise, and a subsequent funding bid that seeks to draw on UK government and European structural funds in order to act on the research findings, and to put their recommendations into operation. This paper reviews this process both in terms of the political, economic, social, cultural and spatial context of the city, and in terms of broader urban agendas. It provides something of a corrective to the rather 'rose-tinted' picture often drawn of the role and significance of the creative industries for future economic and cultural well-being. Stoke-on-Trent: 'The most working-class city in England'

Front Cover; Urban Theory Beyond the West; Copyright Page; Contents; List of plates; List of figures; List of tables; Notes on contributors; Acknowledgements; 1. Introduction: urban theory beyond the West: Tim Edensor and Mark Jayne; Part I: De-centring the city; 2. No Longer the subaltern: refiguring cities of the global south: AbdouMaliq Simone; 3. China Exceptionalism?: Unbounding narratives on urban China: Choon-Piew Pow; 4. Urban theory Beyond the 'East/West divide'?: Cities and urban research in postsocialist Europe: Slavomíra Ferenčuhová