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In Annals of Spring and Autumn it is stated that: "State affairs are worship and military affairs." The inscriptions on turtle shells and bones are records of the escapulimancia during the Shang dynasty (≈1600 BC - 1046 BC), and that covers all aspects of life and society. The "tun" (屯) is a unit of measurement used for the turtle shells and bones of the oracle during the Shang dynasty. A shell or a bone is "a pian (丿)", and a pair is "a tun (屯)". "Shi tun" (示屯) refers to the "offering of shells and prepared bones", is one of the important sources of oracular bones. The organization and analysis of reception records in those bones allow us to get to know this dynasty of more than 3,000 years ago from a new perspective. In addition, we can also understand the social status of taxpayers and signatories,through comparisons with the content of otheroracular bones.

Recently, the smart phone app Kuaishou emerged in China with more than 400 million registered users. An app where users upload pre-recorded videos and a small number of vetted ones live-stream as zhubos, Kuaishou distinguishes itself from the rest of the pack with the unabashed earthiness of its contents. We have two goals in this article. First, we examine how the app's performers attract, cultivate and retain their fans to make money off their activities. Second, we treat zhubos as 'digital housewives', who produce two use values of alienable user data and inalienable affects like offline houseworkers do. Zhubos can earn money from their work, but they ultimately provide highly exploited labour to Kuaishou under a façade of innocuous play. Indeed, by selling their supposedly inalienable affects, zhubos embody 'digital housewife-ness' even more so than Jarrett's original formulation.