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Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- 1. Repurposing Literacy 'There Are Other Ways of Being in the Truth' -- Dr Who? -- Making Discriminations -- What Is Digital Literacy For? -- Multimedia Literacy - Print, Media, Critical, Digital -- Repurposing Education for Innovation -- Educating Teachers -- Creative Workforce -- Creative Educators? -- Learning as a Distributed System -- Learning Entrepreneurs -- 2. From the Consciousness Industry to the Creative Industries Consumer-created Content, Social Network Markets and the Growth of Knowledge -- Media Industry Studies: All Change? -- Industry: Reality or Metaphor? -- From Industry to (Social Network) Markets -- The 'Creative Industries' Concept -- Industry, Outputs, Clusters -- Market, Inputs, Services -- Knowledge-Culture, Human Capital, Citizen-Consumers -- Creative Industries: Tested to Destruction? -- Supply to Demand -- Social Network Markets -- Creative Destruction -- The Growth of Knowledge: A Future for Media Industry Studies? -- 3. Bardic Television From the 'Bardic Function' to the 'Eisteddfod Function' -- To Have Great Poets ... -- Talk about Full Circle! -- Bardic Television: 'From the Hall of the Baron to the Cabin of the Boor' -- Narrative and Polity - 'Representation of the People' -- 'Olympic Games of the Mind' -- 'Bamboo Shoots after the Rain' - Proliferating Global Eisteddfodau -- Digital Literacy - From Self-Made Media to Self-Made Networks -- 4. Uses of YouTube Digital Literacy and the Growth of Knowledge -- YIRNing for YouTube -- Print to Digital Literacy -- Updating TV's 'Bardic Function' -- YouTube Is Semiospherical -- A Message from the Ancients -- 'Those Who Tell Stories Rule Society' - Narrative Science -- Narrative Reasoning -- 5. Digital Storytelling Problems of Expertise and Scalability in Self-Made Media
In: SAGE key concepts
"This guide to the emerging language of creative industries field is a valuable resource for researchers and students alike. Concise, extensively referenced, and accessible, this this is an exceptionally useful reference work." - Gauti Sigthorsson, Greenwich University "There could be no better guides to the conceptual map of the creative industries than John Hartley and his colleagues, pioneers in the field. This book is a clear, comprehensive and accessible tool-kit of ideas, concepts, questions and discussions which will be invaluable to students and practitioners alike. Key Concepts in Creative Industries is set to become the corner stone of an expanding and exciting field of study" - Chris Barker, University of Wollongong Creativity is an attribute of individual people, but also a feature of organizations like ...
World Affairs Online
Television truths (Argumentation of TV) -- Part I: Is TV True? (Epistemology of TV) -- The value chain of meaning -- Public address systems: time, space, and frequency -- Television and globalization -- Part II: Is TV a Polity? (Ethics/Politics of TV) -- Television, nation, and indigenous media -- A television republic? -- Reality and the Plebiscite -- Part III: Is TV Beautiful? (Aesthetics of TV) -- From a "Wandering Booby" to a Field of Cows: the television Live Event -- Shakespeare, Big Brother, and the Taming of the Self -- Sync or swim? Plebiscitary sport and synchronized voting -- Part IV: What Can TV Be? (Metaphysics of TV) -- "Laughs and Legends" or the furniture that glows? Televison as history -- Television in knowledge paradigms.
This is a unique history of cultural studies. Other books have explored the British and North American traditions, but this is the first guide to the ideas, purposes and controversies that have shaped the subject. John Hartley sheds new light on neglected pioneers and provides a clear route map through the terrain
In: Studies in culture and communication
Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgements -- PUBLIC-ITY (Introduction) -- Part I Public pictures -- 1 POPULAR REALITY: A (hair)brush with cultural studies -- 2 AGORAPHILIA: The politics of pictures -- 3 NO PICNIC: For all flesh is as grass -- 4 POWER VIEWING: A glance at pervasion in the postmodern perplex -- Part II The pictures of politics -- 5 THE SMILING PROFESSIONS: From a sea monster to synchronized swimming -- 6 HELIOGRAPHY: Journalism and the visualization of truth -- 7 COMMON SENSE: Universal v. adversarial journalism -- 8 JOURNALISM IN A POST-TRUTH SOCIETY: The sexualization of the body politic -- Notes -- Bibliography -- Index