Ontology and the construction of systems
In: Synthese: an international journal for epistemology, methodology and philosophy of science, Band 95, Heft 1, S. 29-53
ISSN: 1573-0964
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In: Synthese: an international journal for epistemology, methodology and philosophy of science, Band 95, Heft 1, S. 29-53
ISSN: 1573-0964
In: Telos: critical theory of the contemporary, Band 2010, Heft 150, S. 170-175
ISSN: 1940-459X
In: Journal of economics, Band 80, Heft 2, S. 171-173
ISSN: 1617-7134
In: Journal of economics, Band 75, Heft 3, S. 255-261
ISSN: 1617-7134
In: Journal of political economy, Band 79, Heft 6, S. 1397-1402
ISSN: 1537-534X
In: Scottish journal of political economy: the journal of the Scottish Economic Society, Band 18, Heft 2, S. 199-202
ISSN: 1467-9485
In: The Economic Journal, Band 80, Heft 319, S. 749
In: Studies in Soviet thought: a review, Band 17, Heft 2, S. 147-169
In: World Scientific series on financial data analytics vol. 1
In: Law in context
Punitive censorship and libel lawsuits against the press -- "Reading every line" : era of the daily vetting of newspaper proofs -- "Communist China now contiguous to Hong Kong" : censorship imposedby the "free world" -- "Patriotism to you can be revolutionary heresy to us" : hardened control of media, schools, and entertainment -- Preparing to negotiate with China : overt loosening and covert control -- Liberating Hong Kong for China : de-silencing the city.
Introduction -- Foreign direct investment in China: history and development -- Introducing theoretical frameworks: determinants of FDI -- Introducing theoretical frameworks: effects of FDI -- Key steps for direct investment transactions in China: due diligence -- Key steps for direct investment transactions in China: term sheet -- Strategizing investments in China in the next decade
How can research into film policy inform us about the nature of power and cultural politics regarding film censorship? How does censorship affect the aesthetics and identity of film-making produced under political and market constraints? Focusing on the geopolitical regions of British Hong Kong, Taiwan, and China, this article delineates the impact of British colonial film censorship and the politics of cinematically representing revolutionary China during the Cold War. It reveals that British Hong Kong censors changed their strategy in the 1970s and 80s from suppressing mainland Chinese films to inhibiting films that might offend China from screening in Hong Kong. The evidence points to a distinctive picture of transregional smuggling and cinematic boundary-crossing, namely, the dangerous trafficking and interception of movie images, ideologies, and propaganda. Film screening of 'China' in Hong Kong and Taiwan was subject to strict official surveillance to quarantine undesirable public visuality and political discourses. The study examines film's ambiguous expressions of China and Chineseness as it constantly negotiated the factors of colonialism, Chinese nationalism, and Cold War transnational politics. 電影政策的研究如何揭示電影審查的權力機制及其文化政治的本質?在政治和市場的約束下,審查制度又如何影響電影製作的美學和自我定位?本文將聚焦英殖香港、台灣和中國這三個地緣政治區域,探討英國在殖民地實行的電影審查制度的影響,以及冷戰時期電影革命對中國政治的指涉。 1970至80年代期間,英殖香港的電影審查員改變了以往審查策略,從打壓中國大陸的電影變成禁止在香港放映可能會冒犯中國的電影。從這種策略上的改變可以看出跨地域"走私"音像影視對意識形態和宣傳領域的獨特影響。在當時的香港和台灣,放映和觀看有關「中國」的電影受到官方的嚴格監控,以杜絶可能惹是生非的公眾現象和政治話語。本文將呈現冷戰時期的港台電影及其在中國和中國性這兩個概念上模棱兩可的表達,研究在這種視覺記錄中,人們面對和處理殖民主義、中國民族主義和冷戰跨國政治等問題的過程。 ; 電影政策的研究如何揭示電影審查的權力機制及其文化政治的本質?在政治和市場的約束下,審查制度又如何影響電影製作的美學和自我定位?本文將聚焦英殖香港、台灣和中國這三個地緣政治區域,探討英國在殖民地實行的電影審查制度的影響,以及冷戰時期電影革命對中國政治的指涉。 1970至80年代期間,英殖香港的電影審查員改變了以往審查策略,從打壓中國大陸的電影變成禁止在香港放映可能會冒犯中國的電影。從這種策略上的改變可以看出跨地域"走私"音像影視對意識形態和宣傳領域的獨特影響。在當時的香港和台灣,放映和觀看有關「中國」的電影受到官方的嚴格監控,以杜絶可能惹是生非的公眾現象和政治話語。本文將呈現冷戰時期的港台電影及其在中國和中國性這兩個概念上模棱兩可的表達,研究在這種視覺記錄中,人們面對和處理殖民主義、中國民族主義和冷戰跨國政治等問題的過程。
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In: Journal of borderlands studies, Band 33, Heft 3, S. 465-486
ISSN: 2159-1229
In: Asia-Pacific Journal of Financial Studies, Forthcoming
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